劉瑤 沈?qū)毶?/p>

摘要:抗日戰(zhàn)爭時期,中國共產(chǎn)黨會借助各類美術(shù)作品建構(gòu)自己的革命話語,以此來動員抗戰(zhàn)并傳播政治理念。延安木刻作為中國革命的歷史“相冊”,是中國共產(chǎn)黨革命話語的特殊表達,是中國共產(chǎn)黨意識形態(tài)向工農(nóng)大眾滲透的重要媒介,也是解讀革命文化的重要圖像。在黨的領(lǐng)導下,延安木刻家“刀刻”革命,將枯澀難懂的文字轉(zhuǎn)換成活靈活現(xiàn)的生動畫面,將高大上的“政治用語”轉(zhuǎn)換成接地氣的“生活用語”,因而賦予木刻“紅色”印記和“政治”符號,形成獨具特色的革命話語。
關(guān)鍵詞:延安木刻,中國共產(chǎn)黨,革命話語,抗日戰(zhàn)爭
Abstract: During the War of Resistance against Japan, the CPC used various art works to construct its own revolutionary discourse to mobilize the war and disseminate political ideas. As the historical "photo album" of the Chinese revolution, Yan'an woodcut is a special expression of the revolutionary discourse of the CPC, an important medium for the CPC's ideology to penetrate into the masses of workers and peasants, and an important image to interpret the revolutionary culture. Under the leadership of the Party, the "knife carving" revolution of Yan'an woodcarvers transformed the dull and difficult words into vivid pictures, and transformed the sophisticated "political language" into the "daily language", thus endowing the woodcarvers with "red" marks and "political" symbols, forming a unique revolutionary discourse.
Keywords: Yan'an woodcut, CPC, revolutionary discourse, the War of Resistance against Japan
延安木刻是中國共產(chǎn)黨領(lǐng)導革命的特殊武器,亦是中國共產(chǎn)黨意識形態(tài)向工農(nóng)大眾滲透的重要媒介。在中國共產(chǎn)黨的領(lǐng)導下,延安木刻家通過得天獨厚的優(yōu)勢,在作品中植入軍民合作、支前擁軍、英勇抗敵等革命話語,將枯澀難懂的文字轉(zhuǎn)換成活靈活現(xiàn)的生動畫面,將高大上的“政治用語”轉(zhuǎn)換成接地氣的“生活用語”,這對于當時普遍未接受過文化教育,甚至一字不識的工農(nóng)兵來說,宣傳和動員效果無疑是翻倍的,有效實現(xiàn)了革命與民眾的對接。在延安,“木刻刀”成為延安木刻家手中最堅韌的武器,他們操刀向木、“刀刻”革命,打造了一個木刻之花盛開的延安花園,在中國革命史留下光彩奪目的不朽篇章。
一、從“效仿西洋”到“文藝為工農(nóng)兵”革命話語的轉(zhuǎn)變
1937年,全面抗戰(zhàn)爆發(fā)后,政策開明、學風濃厚、軍民融合的延安成為知識青年所向往的圣地。……