丹寨苗族蠟染百鳥圖親子絲巾設(shè)計(jì)研究

摘要：丹寨苗族是中國(guó)唯一僅存的鳥圖騰文化族群，蠟染百鳥圖是其最集中的體現(xiàn)，本文以百鳥圖文化設(shè)計(jì)因子的提取與轉(zhuǎn)換為核心，旨在探尋丹寨鳥圖騰文化在現(xiàn)代語(yǔ)境下的創(chuàng)新形式。通過文獻(xiàn)挖掘、資料搜集、實(shí)地考察，建立百鳥紋樣庫(kù)；結(jié)合圖文分析說明及用戶感知評(píng)價(jià)，提取與轉(zhuǎn)換最具代表性的百鳥圖形態(tài)、色彩、裝飾紋樣、語(yǔ)義因子。提取最具代表性、最符合產(chǎn)品定位的核心設(shè)計(jì)因子，實(shí)現(xiàn)現(xiàn)代化轉(zhuǎn)換，實(shí)驗(yàn)創(chuàng)新民族元素圖形形式。丹寨蠟染百鳥圖極具審美屬性與學(xué)術(shù)研究?jī)r(jià)值，作為絲巾圖案創(chuàng)新應(yīng)用，不僅能將丹寨鳥文化傳播更廣、保存更好，同時(shí)也為絲巾圖案設(shè)計(jì)提供了新的靈感素材。

關(guān)鍵詞：丹寨蠟染 百鳥圖 親子絲巾 設(shè)計(jì) 設(shè)計(jì)因子

中圖分類號(hào)：J52 文獻(xiàn)標(biāo)識(shí)碼：A

文章編號(hào)：1003-0069（2023）22-0049-04

Abstract：The Danzhai Miao ethnic group is the only bird totem culture ethnic group in China，and Hundred Birds is the most concentrated embodiment. This paper focuses on the extraction and transformation of cultural design factors of bird painting，aiming to explore the innovative form of Danzhai bird totem culture in the modern context. Through literature mining，data collection and field investigation，Hundred Birds pattern database was established. Combined with graphic analysis and user perception evaluation，extract and transform the most representative bird pattern shape，color，decorative pattern and semantic factors. Extract the core design factors that are the most representative and most in line with the product positioning among Hundred Birds patterns，realize the modernization transformation，and experiment and innovate the graphic form of national elements. Danzhai Hundred Birds pattern has great aesthetic attribute and academic research value. As an innovative silk scarf pattern，it can not only spread and preserve Danzhai bird culture more widely，but also provide new inspiration materials for silk scarf pattern design.

Keywords：Danzhai batik Hundred Birds Parent-child silk scarf Design Design factor

引言

設(shè)計(jì)的內(nèi)涵就是文化。在漫長(zhǎng)的歷史長(zhǎng)河中，苗族人民在艱苦條件下不屈不撓、前仆后繼地奮斗，最終形成了苗族輝煌的民族文化和物質(zhì)財(cái)富。自稱“嘎鬧”的丹寨苗族以鳥圖騰為信仰持續(xù)地影響著丹寨苗人的文化性格[1]，在現(xiàn)代文化的包圍中，中國(guó)各民族鳥圖騰文化日漸消亡，丹寨鳥圖騰文化愈來愈展示出其獨(dú)特的魅力[2]。丹寨苗族蠟染百鳥圖是丹寨鳥圖騰文化最集中的體現(xiàn)，將其融入現(xiàn)代設(shè)計(jì)，一方面有利于民族文化的保護(hù)和傳承，另一方面也有利于提升民族文化產(chǎn)品的附加值。通過對(duì)百鳥圖中的文化設(shè)計(jì)因子進(jìn)行提煉與轉(zhuǎn)換，將其中所蘊(yùn)含的興旺祥和、其樂融融的寓意與親子產(chǎn)品建立映射關(guān)系，設(shè)計(jì)出既有民族文化內(nèi)涵，又符合現(xiàn)代人審美傾向的親子絲巾產(chǎn)品?！?br>