摘 要 群眾文化作為一種精神娛樂活動(dòng),近年來受到廣泛關(guān)注。群文舞蹈是群眾文化中的一種藝術(shù)表現(xiàn)形式,受到了群眾的青睞,并且在不斷的發(fā)展過程中,形成了自己的鮮明特點(diǎn),并且向著良好的方向發(fā)展。這就給群文編舞者提出了更高的要求,如何能夠?qū)崿F(xiàn)較高水平的群文舞蹈的編導(dǎo),是我們所面臨的一個(gè)現(xiàn)實(shí)問題,本文以民辦高校業(yè)余大專生群文編舞課堂為例,淺談舞臺(tái)表演實(shí)踐與課堂教學(xué)的關(guān)系,促進(jìn)群文舞蹈編舞的高水平發(fā)展。
關(guān)鍵詞 群文舞蹈 實(shí)踐 課堂教學(xué)
中圖分類號(hào):G424 文獻(xiàn)標(biāo)識(shí)碼:A
On the Relation between Stage Performance Practice and Classroom Teaching
——Take Private Universities Amateur College Student Mass Culture Dance Classroom as an example
HU Chen
(Shanghai Donghai Vocational Technical College, Shanghai 200241)
Abstract As a kind of spiritual entertainment, folks culture has been got more attention in recent years. The mass culture dance, one of the most important art forms of folks culture, gets the favor of people, and during its unceasing development, mass culture dance has formed its own distinct characteristics. How to achieve higher level of mass culture dance directing is what we are facing now. This article based on amateur mass culture dance students in private college, tries to discuss the relationship between teaching and stage practice, aiming to promote the higher level development of mass culture dance.
Key words mass culture dance; practice; classroom teaching
1 舞臺(tái)表演實(shí)踐與課堂教學(xué)的關(guān)系
舞臺(tái)上表演的好壞直接反映這個(gè)學(xué)生學(xué)習(xí)的情況和能力。大家都知道什么是舞臺(tái)表演:舞臺(tái)表演就是表演者在舞臺(tái)上的一招一式,是和生活中真實(shí)感情的體驗(yàn)和平時(shí)學(xué)習(xí)積累分不開的。它是生活體驗(yàn)之后經(jīng)過藝術(shù)加工、創(chuàng)作的感情再現(xiàn)。在舞臺(tái)上表演時(shí),要做到“神形兼?zhèn)洹保ㄟ^恰到好處的表演來使音樂和形象完美地結(jié)合,營(yíng)造出舞曲應(yīng)有的氛圍。對(duì)于編舞者來說,課堂是學(xué)習(xí)編舞相關(guān)專業(yè)技術(shù)問題的地方, 是提高學(xué)生舞蹈編導(dǎo)水平的地方, 沒有正規(guī)的課堂教學(xué), 就沒有成功的舞臺(tái)表演實(shí)踐。同時(shí)通過藝術(shù)實(shí)踐可以對(duì)理論與技巧進(jìn)行補(bǔ)充,兩者相輔相成,使學(xué)生綜合素質(zhì)逐步走向完善。
2 群文編舞課堂教學(xué)與舞臺(tái)表演的特點(diǎn)與比較
群文舞蹈是以人民群眾為服務(wù)對(duì)象的一種舞蹈。群文舞蹈由于它的前提是群眾,其開展其首要目的在于向群眾普及舞蹈文化,并因地制宜在普及的基礎(chǔ)上提高群眾的舞蹈文化素養(yǎng),最終達(dá)到滿足群眾對(duì)舞蹈文化生活的需求,因此其創(chuàng)作必須具有群眾性。……