【卷首語】

【卷首語】

科學與技術如何生成藝術？水墨通過電子表現，會觸發(fā)出哪些可能性？在一個日益數字虛擬化的世界里，“空間”如何重組？在本期的《展覽現場》當中，新媒體藝術家們提出了一系列敏銳的問題，對于這些問題的回應，體現出了當代藝術那些最前沿的變化。

本期的多個《展覽現場》和《藝術視野》主題，都關注著藝術生存狀態(tài)在現時代所不斷發(fā)生的變遷，以及這些變遷所帶來的人類心靈的新鮮感應。清華大學“藝術、科學、博物館”是理性精神與感性追求的一種結合的嘗試，這樣的嘗試，正在多個維度上被今天的人們所觸及和談論。

本期的《理論研究》等欄目同時在當代理論層面上分析當代藝術的生存處境，藝術的衍生品、藝術的靈感來源以及設計的品牌概念等等，無不需要我們對于文化人文有深入細致的考量研究，在我們今天，這方面的研究在很多課題領域還只是剛剛開始而已。

天津美術學院學報執(zhí)行主編 邵亮

2016年10月

[Editorial]

How do science and technology generate art? What possibilities will the electronic Chinese ink painting trigger?How will “space” be reorganized in such an increasingly digital, virtualized world? In the Exhibition Reviews column of this issue, the new media artists put forward a series of acute questions, and the responses to these questions re fl ect those most cutting-edge changes in contemporary art.

Many of the essays in the Exhibition Reviews and Art Vision columns are concerned with the constant changes in the survival state of art in modern times, as well as the fresh impressions in human mind brought about by these changes. The activity of “Art, Science, Museum” at Tsinghua University is an attempt to combine the rational spirit and emotional pursuit, which is now touched and talked about by people in multiple dimensions.

In the Theoretical Research column etc., the authors analyze at the level of contemporary theory the conditions of the existence of contemporary art. Each of the topics of art derivatives, source of art inspirations and brand concept of design and so on requires in-depth and detailed research on culture and humanities. At present, such kind of research has only just started in many subject areas.

Shao Liang, executive chief editor of Journal of Tianjin Academy of Fine Arts

October 2016