謝子龍影像藝術館，長沙，湖南，中國

湖南大學設計研究院有限公司 | 地方工作室

1 總平面Site plan

客戶：謝子龍影像藝術館有限公司

主創建筑師：魏春雨，張光

設計團隊：建筑 | 沈昕，劉海力，陳赟，文躍茗，佟琛，陳榮融；節能 |肖敏；結構 | 朱建華

建筑面積：10,621.91m2

設計時間：2015.10

竣工時間：2017.09

繪圖：地方工作室

攝影：姚力

Client: Xie Zilong Photography Museum Co.,Ltd.

Principal Architects: WEI Chunyu,ZHANG Guang

Project Team: Architecture | SHEN Xin,LIU Haili,CHEN Yun,WEN Yueming,TONG Chen,CHEN Rongrong;Energy Conservation | XIAO Min;Structure |ZHU Jianhua

Floor Area: 10,621.91 m2

Design Time: 2015.10

Completion Time: 2017.09

Drawings: Regional Studio

Photos: YAO Li

影像館設計始于對建筑、城市與自然關系的思考，現存的生態濕地環境揭示了建筑與城市的關系連接，提供了一個重新審視司空見慣的城市建筑景觀的差異性角度，建筑與人、自然的關系 “等價”，以共存共生的方式共面世界。建筑本身是一個巨大的“藝術品自足體”，使用白色清水混凝土材料與高度集約化、現場一體化澆筑的建造方式，既是對建筑詩意的原初凝練，又是對中國傳統“惜物”觀念的思考與回應。

影像館是儲存記憶，喚醒觀者記憶的場所。交叉的小徑、弧橋、棧道、小碼頭等一系列構成暗示關乎自然與記憶的集體無意識。影像館借助日常生活中熟悉的物來構建一個充滿差異性、時間停滯的迷宮，引導觀者關注疏離化之后的陌生感和身體性。

The design of Xie Zilong Photography Museum began with thinking about the relationship of architecture,city and nature.The existing ecological wetland reveals the connection between architecture and city,and provides a re-examination of a different perspective on urban architectural landscapes that has been in commonplace: architecture,people,and nature are equal,embracing the world in a way of intergrowth and coexistence.The building itself is a huge"artistic self-contained body".The construction,only white fair-faced concrete and a highly intensive,on-site integrated casting method,is not only an original condensed of architectural poetry,but also thinking and responding to the Chinese traditional idea of "thrift-worship".

The Photography Museum is a place to store memories and awaken the viewers' reflections.A series of constituent elements such as cross paths,arc bridges,boardwalks,and small docks suggest collective unconsciousness about nature and memory.The Photography Museum uses a familiar object in daily life to build a maze full of differences and time stagnation,and guides the viewer to pay attention to the strangeness and physicality after "Verfremdung".