重置材料
——走向可持續(xù)建筑

克麗絲·穆爾，哥本哈根當(dāng)代藝術(shù)中心，丹麥建筑師協(xié)會

如今，建造是地球上污染最嚴(yán)重的人類活動之一，幾乎占全球CO2排放量的40%。這主要源于材料的生產(chǎn)和廢棄過程。因此，對于建筑師、建筑行業(yè)，以及整個(gè)社會而言，迫切需要從根本上轉(zhuǎn)變我們獲取、建造和居住建筑的方式。

“重置材料——走向可持續(xù)建筑”通過展示新穎、開拓性、實(shí)驗(yàn)性的建筑材料作品，探索建筑的未來。由建筑師、藝術(shù)家和材料制造商組成的10 個(gè)跨學(xué)科團(tuán)隊(duì)，共同發(fā)揮創(chuàng)造力，聯(lián)手呈現(xiàn)他們對后碳時(shí)代建筑的強(qiáng)烈愿景。展覽的重點(diǎn)是對新開發(fā)或重新發(fā)現(xiàn)的本地材料的樣本和全方位的研究——由再生塑料或硅到生長有機(jī)體和生物材料，如菌絲、蕁麻、黏土、漢麻——所有這些材料都由團(tuán)隊(duì)收集、培養(yǎng)、回收、解構(gòu)和重新組合。最終的作品以材料碎片的形式展出，使參觀者能夠逐一體驗(yàn)材料的加工過程以及其在建筑、功能和美學(xué)方面的潛力。

未來的建筑是否將由真菌、蕁麻和再生塑料建造？我們是否能夠像培養(yǎng)農(nóng)作物一樣培養(yǎng)磚塊？可持續(xù)材料將如何改變我們對建筑美學(xué)和價(jià)值的理解？

該展覽呈現(xiàn)了建筑師安德斯·倫達(dá)格和藝術(shù)家哈妮·比巴·貝克利等人的作品，他們嘗試?yán)霉杼崛∵^程中產(chǎn)生的廢料進(jìn)行實(shí)驗(yàn)。硅在自然界隨處可見，存在于沙子、巖石、土壤和黏土中，甚至存在于植物的葉片以及人類的皮膚、頭發(fā)和指甲中。硅可以被提取用于生產(chǎn)微芯片和太陽能電池等，而在這個(gè)過程中有很大一部分被浪費(fèi)。倫達(dá)格和貝克利研究了如何利用粉塵形式的硅來創(chuàng)造新的美學(xué)表現(xiàn)形式，比如陶瓷——在這里，他們成功利用工業(yè)廢料的組合創(chuàng)造出了一種明亮的彩釉——以及這種物質(zhì)如何解決建筑中的技術(shù)挑戰(zhàn)，比如壓縮建筑砌塊和砂漿。

Construction represents one of the most polluting human activities on the planet today accounting for nearly 40% of the global CO2footprint.Much of this comes from the production and waste of materials.It is therefore urgent for architects and the building industry,and for society in general,to radically transform how we source,construct,and inhabit our built environments.

Reset materials -towards sustainable architecture explores the future of architecture with works of new,trailblazing,experimental building materials.Ten interdisciplinary teams,each consisting of architects,artists,and material producers,join creative forces to present their compelling visions towards a postcarbon architecture.The focus of the show is on samples and full-scale studies of newly developed or rediscovered local materials -from recycled plastics or silicon to growing organisms and biogenic materials such as mycelium,nettle,clay and hemp -all collected,cultivated,recycled,deconstructed and re-composed by the teams.The final works are exhibited as material fragments that allow the visitor to encounter individually the process and architectural,functional and aesthetic potential of the materials.

Will our buildings in the future be constructed out of fungi,nettles,and recycled plastic? Can we cultivate bricks like we do crops?And how will sustainable materials change our understanding of architectural beauty and values?

1 展覽鳥瞰 Aerial View

而另一個(gè)團(tuán)隊(duì)正在探索真菌材料——菌絲體。這種材料具有不均勻的、快速生長的網(wǎng)絡(luò)結(jié)構(gòu)，擁有巨大的設(shè)計(jì)潛力，可用于可持續(xù)的聲學(xué)解決方案。該展品由來自丹麥皇家學(xué)院、Henning Larsen 建筑事務(wù)所、nikolova/aars?設(shè)計(jì)工作室以及制造商N(yùn)aturpladen ApS 的建筑師、工程師和藝術(shù)家們共同展示。

該展覽由特邀策展人、建筑師克麗絲·穆爾與哥本哈根當(dāng)代藝術(shù)中心和丹麥建筑師協(xié)會合作策劃，得到了德雷爾基金會的支持，由#MATERIALER 項(xiàng)目1）發(fā)展而來。□（孫斯坦 譯）

The exhibition features the work of,among others,architect Anders Lendager and artist Honey Biba Beckerlee,who experiment with waste from the extraction of silicon.Silicon is found everywhere in nature.It is in sand,rock,soil and clay -even in the leaves of plants and the skin,hair and nails of humans.Among other things,it is extracted for use in the production of microchips and solar cells -and in that process a large part is wasted.Lendager and Beckerlee investigate how silicon can be used in dust form to create new aesthetic expressions such as ceramics -here they have succeeded in creating a brightly coloured glaze from a combination of waste materials from industry -and how the substance can solve technical challenges in construction,such as compressed building blocks and screeds.

Another team explores the fungal material mycelium.The inhomogeneous,fast-growing network structure of this material holds enormous design potential and can be used for,among other things,sustainable acoustic solutions.The material is presented by architects,engineers and artists from the Royal Danish Academy,Henning Larsen Architects,the design studio nikolova/aars? and the manufacturer Naturpladen ApS.

It is curated in collaboration with the invited curator and architect Chrissie Muhr and created in collaboration between Copenhagen Contemporary and the Danish Association of Architects.The exhibition is supported by the Dreyers Fond and developed from the project#MATERIALER1）.