卡利達(dá)癌癥療養(yǎng)中心——西班牙巴塞羅那

設(shè)計(jì)/竣工年份：2010～2019年

建筑師及項(xiàng)目總監(jiān)：貝娜蒂塔·塔格利亞布、瓊·卡利斯

項(xiàng)目協(xié)調(diào)：瓦倫蒂娜·尼科爾·諾里斯

總建筑面積：400 平方米

室外面積：950 平方米

室內(nèi)設(shè)計(jì)：帕特里夏·烏奎奧拉工作室

景觀設(shè)計(jì)：米拉萊斯·塔格利亞布

結(jié)構(gòu)工程：伯努茲·費(fèi)爾南德斯建筑師事務(wù)所

工程設(shè)施：普羅賽特工程公司

機(jī)電設(shè)計(jì)：PYF SL

承包商：佩雷斯·維洛拉建筑公司

攝影師：Duccio Malagamba， Lluc Miralles

Design / Construction Years： 2010 – 2019

Architects and Project Directors： Benedetta Tagliabue y Joan Callís

Project Coordinator： Valentina Nicol Noris – Miralles Tagliabue EMBT

Gross Floor Area： 400 m2

Outdoor Area： 950 m2

Interior design： Patricia Urquiola Studio（with selected designs from GAN）

Landscape Consultant： Miralles Tagliabue EMBT

Structure Engineer： Bernúz Fernández Arquitectes SLP

Engineering Facilities： Proisotec Enginyeria SLP

Mamp;E Consultant： PYF SL

Contractor： Construcciones Pérez Villora S.A.

Photographs： Duccio Malagamba， Lluc Miralles

卡利達(dá)中心是一個(gè)為癌癥病人和他們身邊的人提供情感、社交和實(shí)際支持的場(chǎng)所，它像是一個(gè)向所有人敞開懷抱的家，有資質(zhì)的專業(yè)人士在此為人們提供幫助，這里也是一個(gè)遇見他人、探尋安靜庇護(hù)空間或享受一杯茶的地方。

場(chǎng)地介于新建醫(yī)院與原有的新藝術(shù)風(fēng)格建筑群之間，平行于獨(dú)特規(guī)劃區(qū)域內(nèi)的新修道路，遵循原有垂直銜接方式。項(xiàng)目內(nèi)包括一棟400平方米的小建筑和處于建筑綜合體綠色區(qū)域內(nèi)的寬敞花園。建筑師的基本理念是打造一處種植有色彩斑斕花朵的花園，因此療養(yǎng)中心被設(shè)計(jì)為一個(gè)花園中的亭子，室內(nèi)外邊界模糊而多變。建筑為使用者提供了隱私、充足的光線和圍繞花園的庇護(hù)之地。

建筑分為2層，每層約200平方米，首層比周圍綜合體所處的地面更低，建筑師將這里構(gòu)想為一系列向花園開放的靈活空間，花園被墻面、藤架和植被圍繞，人們可以在這里舉辦一系列的活動(dòng)。首層布局有廚房、大廳、通高的餐廳、小圖書館和多功能室。每一間房間都被綠色植被環(huán)繞，天井、樹叢和藤架的位置隱藏周圍建筑設(shè)施，尊重并保護(hù)卡利達(dá)中心使用者的隱私。建筑主入口位于首層，通過一片鋪裝區(qū)域直接通向附近醫(yī)院的腫瘤科區(qū)域。在緊急情況下，這里也作為消防通道。

上層區(qū)域與綜合體其它部分處于相同高度，圍繞著通高的餐廳。朝向南側(cè)新藝術(shù)風(fēng)格建筑的立面更加通透，但也使用了木制百葉窗保護(hù)內(nèi)部隱私。

建筑立面磚墻上嵌入釉面陶瓷，兩者共同形成多樣的色彩和紋理。墻面變成了一面陶瓷格柵，過濾地中海的陽光、聚焦環(huán)境視野、保持空氣流通并保護(hù)內(nèi)部隱私。

整個(gè)項(xiàng)目靈感來源于豐富的材料、肌理、色彩、幾何圖形、圖紙和原有醫(yī)院綜合體蔥郁的植被。建筑師希望完全保留多梅內(nèi)克·蒙塔內(nèi)爾建筑原有的建筑語言，這一想法體現(xiàn)在新花園、立面和屋頂?shù)脑O(shè)計(jì)上。

The Kálida Centre is a space of emotional， social and practical support for cancer patients and people around them. It is a home opened to everyone， where qualified professionals offer their help. A house to meet other people， a house where to find a quiet retreat or to have a cup of tea.

The plot is located between the new hospital and the original Art Nouveau buildings. It is parallel to a new road defined by the special urban plan of the area and follows the orthogonal plan of the original project. The project includes a small 400 m2 building and a wide garden within the general green area of the building complex. The fundamental idea of the project is to plant some new coloured flowers in the garden of the original hospital， and so the centre is designed as a garden pavilion where the boundaries between interior and exterior blur and vary. The building offers privacy， light， retreat and protection around the garden.

The building is organised in two floors of about 200 m2. The ground floor is situated in a lower level than the complex around. It is conceived as a sequence of flexible spaces， opened to a garden protected by walls， pergolas and vegetation that can accommodate varied activities. In the ground floor we can find the kitchen， a hall and a high ceiling dining room， a small library and a multipurpose room. Every room is surrounded by greenery， and the situation of the patios， trees and pergolas is meant to hide the surrounding hospital facilities and to respect the privacy of the Kálida Centre users. Here in the ground floor is the main access of the building， which has direct connection to the oncology area of the nearby hospital through a paved area between them. This area also allows the access to firefighters in cases of emergency.

The rooms on the upper floor， situated at same height that the rest of the complex， lay around the double-height over the dining room. The fa?ades facing the Art Nouveau buildings towards south are more transparent but protected by wooden blinds to ensure privacy.

The building fa?ade is a brick wall with glazed ceramic insertions， put together in a variable composition of colours and textures. The wall turns into a ceramic latticework to filter the Mediterranean sunlight， to focus the views of the environment， to provide air circulation and to protect the privacy of inner spaces.

The whole project has been inspired by the richness of materials， textures， colours， geometries， drawings and greenery of the original Hospital complex. The architect wanted to keep the full original language of Domènech i Montaner’s architecture and so it is reflected in the new gardens， the fa?ades and the roof design.