舟山漁民畫：充滿濃郁“海腥味”

林上軍

在美麗的東海之濱，坐落著中國第一大群島舟山群島，這里也是世界著名漁場。這里有上千個翡翠般的島嶼，生活著一百多萬人口，他們中一部分是純粹的漁民。如今，島上很多人雖不再從事海上捕魚，但純樸、憨厚、豪爽的性格底色已深深地刻進他們的基因里。他們憑借自己的想象，用充滿美好愿望的真摯情感以及近乎狂幻的稚拙畫筆，描繪了一幅幅反映多樣生活、具有奇趣構思、塑造夸張形態、充滿神秘感的畫卷，這便是舟山漁民畫，它已被列入第四批浙江省級非物質文化遺產名錄。

漁港邊? ? 漁哥漁嫂繪制精品力作

季春時節，草長鶯飛。筆者走進位于舟山沈家門漁港邊的普陀漁民畫創作中心，只見一間間畫室內，有漁民和漁嫂在埋頭創作。

她叫鄭紅飛，今年53歲，來自六橫島，從事漁民畫創作已有36年。怡靜的外表下，有一顆善于想象的心。2020年，她成為當地第一個加入中國美協的漁民畫作者。

自幼兒園老師起步，鄭紅飛憑借自己的天賦和執著，在當地眾多漁民畫創作愛好者中脫穎而出。1987年，她創作的《城頭上掛下的大發》被中國美術館收藏;2014年和2019年，她的《漁之歌》《海韻》先后入展全國美展，如今她還是當地享受人才津貼的優秀漁民畫作者。

200多平方米的普陀漁民畫創作中心內，每天總有非遺傳承人在潛心創作。張斌恒，漁家后代，今年48歲，原來是海島上的一名建筑公司的員工，2010年他參加漁民畫培訓班后，就全身心投入到漁民畫創作中，并成立了自己的工作室，做起漁民畫銷售。

李芝琴，桃花島人，2005年開始漁民畫創作，2010年，她的作品開始走出國門，2014年她成立了自己的畫社。如今的她，一有空還經常到各個學校傳授自己的手藝。

漁民畫家們熱愛自己的海島，熱愛自己的勞動和生活，他們以海為動力，依照自己的環境和生活在創作中進行聯想，用形象的思維來表達他們樸素的思想情感。他們從客觀事物的真實形象出發，進行大膽的創意和夸張，立意奇特，想象豐富，用畫筆流露出自己對生活的真情實感和對大海的深情眷戀，作品散發著濃郁的“海腥味”。多年來，普陀漁民畫在保持藝術風格整體性的基礎上，強調地域特色，力求多樣性，創作了一批又一批精品力作。

普陀文化館美術干部姜聲慧介紹，自二十世紀80年代以來，普陀漁民畫已有近2000件作品入選全國及省級展覽，入編各類畫冊，入藏多家美術權威機構，并到20多個國家作對外交流展出。2012年，普陀漁民畫列入第四批省級非物質文化遺產名錄。1988年，普陀區被文化部命名為“中國民間繪畫畫鄉”。繼2008年、2011年、2014年連續三次入選“中國民間文化藝術之鄉”后，2021年普陀區再次入選2021—2023年度“中國民間文化藝術之鄉”。除了沈家門之外，普陀區文化館還開辟了東極島、六橫島、螞蟻島三個漁民畫創作基地，拓展到講座、培訓、參觀、研討等工作，對人才的培養和交流產生積極的作用。 尤其是東極的漁民畫創作基地，助推著當地旅游經濟、文化產業。

古城內? ? 幾十年如一日不離不棄

定海，浙江省屈指可數的海上歷史文化名城。厚重的文化底蘊，孕育了一批漁民畫創作愛好者。

定海金塘島上，有兩位特別有名的漁民畫創作者、傳承人——朱松祥、徐重芳。

春日下午，筆者專程拜訪他倆。

在金塘柳行老街，朱松祥的“大網頭漁民畫工作室”格外引人注目。里面攤滿了顏料、畫紙等各種材料。

朱松祥今年62歲，他的經歷豐富奇特：初中畢業后，先后從事篾匠、船工、村鎮規劃辦工作人員、電影放映員、文化站工作人員、漆匠、養兔、開店、螺桿廠負責人等行當工作。盡管角色多變，但業余美術創作一直沒放棄 。1987年，他的漁民畫《大網頭》獲得浙江省首屆工農畫展一等獎。近些年，他的畫作先后赴日本、澳大利亞、美國、歐洲等地展出?，F在每年有數萬元售畫收入。

2017年，他退休后，全身心撲在創作上，還帶出一批學生。幾年下來，他指導的學生在全省書畫比賽中多次獲獎。

見到徐重芳時，這位八旬老人剛從田頭回來，腳穿拖鞋，衣著樸實。如果不熟悉他，沒人能想到他是當地有名的漁民畫創作者?，F在，向他要畫的人很多，一幅畫至少在一萬元以上。

筆者發現，徐重芳的作品略顯暗色，但照片拍出來卻呈亮色。風格有別于其他漁民畫。他說，10多年前，他的畫風有比較大的改變，市場上也更加暢銷。

自二十世紀80年代以來，他的畫作參加全國一系列漁民畫展并屢屢獲獎。2004年，他被評為全國優秀民間繪畫優秀畫家;2005年被評為定海區十大民間藝人，2009年被評為浙江省優秀民間人才，2010年被評為中國十大農民畫家。

在定海，熱愛漁民畫的繪畫愛好者聚在一塊兒，組成了定?！巴薄睗O民畫群體。群體負責人黃海敏介紹，近年來，定海區文體局依托定海區農村素質提升工程、“百姓課堂”文化公益培訓等載體，為基層群眾、文體骨干開辦漁民畫培訓班，目前，已擁有了一支穩定性好、綜合素質高的“望潮”漁民畫群體。此外，該區還組織“望潮”漁民畫群體成員到浙江嘉興秀洲、上海金山等地學習交流農民畫，提高作者對民間美術的審美水平及創作水平。

百島縣? ? 斑斕色彩匯成別樣風情

有人說，到過“百島之縣”嵊泗，你就知道“海上仙山”絕不是浪得虛名。柔軟細膩的沙灘、漁舟穿梭的海面、民風淳樸的漁村、美味無比的海鮮……就如一顆璀璨的明珠，閃耀在萬頃碧波之中。而且，那富有韻味的漁民畫，會時時撲入你的眼簾，在墻上、在民宿、在村口、在船頭，這是嵊泗漁民畫作者的風采展示，也是海島漁村的文氣所在。

盧秀絨是嵊泗縣第一批漁民畫作者，一幅《烏賊夫妻》讓她名聲大振，成為經典之作，如今一些文創產品上就經?？梢娺@幅畫作。

“其實我當時什么繪畫功底都沒有。”盧秀絨回憶說，1987年，17歲的她參加縣文化館漁民畫創作培訓班，當時無美術基礎的她和其他幾位漁家姑娘，經過幾個月的磨煉，硬生生完成了一批漁民畫作品，而后在上海美術館展出，不久又到中國美術館展出。

嵊泗田岙村，典型的漁民畫創作基地。外立面能被外人看到的民宿墻上，一幅幅漁民畫，瞬間就把人帶進了海的世界：漁船上，漁夫使勁拉網，活蹦亂竄的魚兒，把漁網壓得沉甸甸;碼頭邊，漁嫂打著赤腳，挽起袖子忙著揀魚貨;沙灘上，漁家姑娘織漁網，絲線長長，牽系著遠洋搏浪的親人……

2014年，村內打造起一個漁民畫創意體驗館，不僅吸引了眾多高校美術院系創作團隊，更壯大了村內的漁民畫創作隊伍。現在，一到旅游旺季，這里是游客們的漁民畫體驗打卡點。而到了淡季，這里則成了漁嫂們的創作基地。

目前，田岙村共有近200戶漁家民宿，年均接待游客超9萬人次，僅旅游收入就達2000多萬元，并成為美術學院嵊泗東海漁村墻體壁畫創作基地。

產業化? ? 任重道遠踏浪摸索前行

舟山漁民畫，盡管興起于改革開放年代，但其源遠流長，最早由古代船飾畫演變而來。舟山群島的先民們在船尾畫上泥鰍以象征“龍外甥”，即魚龍，以鎮水妖，避災禍;在船艙上畫“足踏蓮花觀世音”“龍王獻魚蝦”等，以祈保平安豐年。解放后，隨著時代的變遷，漁區木帆船變成機帆船，駕駛臺門板上都會畫上“日出東海”“兩龍戲珠”等船飾畫。漁家人獨特的生產生活方式、多姿多彩的民俗風情，成為漁民畫題材的寶庫，可以說，舟山豐富深厚的民間傳統美術正是滋養漁民畫之樹能夠根深葉茂的豐厚土壤。

近年來，隨著國家對非物質文化遺產的重視，舟山漁民畫先后被列入浙江省民間藝術保護一二三批名錄;2006年12月，舟山漁民畫被列入“首批市級非物質文化遺產代表作名錄”，2012年7月，普陀漁民畫被列入省級第四批非物質文化遺產名錄。

蘸海為墨，踏浪而行。這幾年，舟山漁民畫產業化進度有所加快，2014年，舟山漁民畫產業協會成立，56家企業和個人畫坊成為會員單位。“當年，漁民畫文創產品僅有二三十種，現在有二三百種?！眳f會會長張高俊，是當地有名的畫家，作品多次參加中國美展。日前，筆者走近他的畫室，只見他又在制作新的文創產品，用剪紙將漁民畫展現出來，再進行裝裱，而且內容也融入了舟山海天佛國元素。

服飾、鞋類、箱包、飾品、扇子……如今的舟山漁民畫文創產品幾乎無所不包，產值已從2014年的50萬元增加到400萬元。每年，張高俊都會帶著大家外出參觀考察交流。漁民畫家蔣德葉年收益二三十萬元。有的漁民畫工作室試著將鵝卵石、貝殼等作為繪畫的載體，創作家居擺設品，并推出漁民畫DIY創作活動，受到了市場的歡迎。

最近，張高俊正在摸索漁民畫提升工程，他嘗試將漁民畫顏料、材質由普通的一般化顏料改為油漆、板材，如此讓漁民畫有了一種立體感，也提高了收藏價值。

舟山市美術家協會副主席、舟山漁民畫協會會長朱國安說，自二十世紀80年代以來逐漸興起的舟山漁民創作群體，雖有潮起潮落態勢，但整體在變強，人員在增加。舟山漁民畫以大膽的藝術想象和強烈的生活氣息，又通過造型上的夸張、隨意和色彩上的艷麗、強烈，成為頗受歡迎的漁民畫種，每次參展獲獎率總是名列前茅。他希望政府能強化漁民畫知識產權保護，加大文創產品銷售窗口建設，加強漁民畫產業鏈建設和創新人才培養，讓舟山漁民畫產業行穩致遠。

Zhoushan Fishermen’s Paintings：

Full of Local Flavors

By Lin Shangjun

On the coast of the East China Sea lies Zhoushan， China's largest archipelago and world-famous fishing ground. Home to more than a million inhabitants， Zhoushan is a collection of over a thousand islands. Today， many Zhoushan people no longer fish for a living. With their rich imagination， their good wishes， as well as their authentic feelings， they have painted pictures of all sorts of colors， interesting ideas， touching expressions， exaggerated shapes， and grotesque and mysterious conceptions. They are known as “fishermen's paintings”， which have been inscribed on Zhejiang’s provincial intangible cultural heritage list.

Walking into the Putuo Fishermen's Painting Center near the Shenjiamen Port in Putuo district， Zhoushan city， one is immediately struck by the scene fishermen and fisherwomen immersed in painting in one painting room after another. The 53-year-old Zheng Hongfei， from Liuheng Island， has been painting for 36 years. With a quiet demeanor， Zheng is full of imaginative power. In 2020， she became the first local fisherman artist to join the China Artists Association.

Starting as a kindergarten teacher， Zheng stands out among fellow fishermen painters with her talent and dedication. In 1987， one of her works was collected by the National Art Museum of China. In 2014 and 2019， her Song of Fishing and Fishing in the Sea were showcased in national art exhibitions.

Zhang Binheng is another fisherman painter working in the 200-odd-square-meter center. The 48-year-old Zhang used to be an employee of a local construction company and became a full-time painter after attending a training course for fishermen painters in 2010. He has set up his own studio and is now selling his paintings. Li Zhiqing started to make decorative fishing knots in 2005， and her works have been exported abroad since 2010. She now gives lectures from time to time， teaching her craft and skills to local students.

These fishermen artists love their home islands， as well as their life and work. Over the years， nearly 2，000 paintings by artists from Putuo have been seen in international， national， provincial exhibitions， painting albums and collections of arts institutions， according to Jiang Shenghui， an official with the Putuo Cultural Center. Apart from the studio at the Shenjiamen Port， the Putuo Cultural Center also set up three painting bases for fishermen painters， which have been instrumental in promoting local tourism and cultural industry.

In neighboring Dinghai district， fishermen painters can be found as well. On its Jintang Island， 62-year-old Zhu Songxiang has a unique life story. After graduating from middle school， he took up jobs as a bamboo weaver， a boat worker， a village planner， a film projectionist ... and he has never stopped painting in the process. In 1987， his painting Big Fishing Net won the first prize in a provincial exhibition. In recent years， his works have been exhibited in Japan， Australia， the United States and Europe. Currently， Zhu earns tens of thousands of dollars every year from selling his paintings. Since 2017， he has devoted himself to painting after retirement， even training his own students， who won numerous honors in various competitions held in Zhejiang.

For those who haven’t heard of Xu Zhongfang before， they could have easily taken him for their avuncular neighbor. The octogenarian is a well-known fisherman painter in the area. A piece of his painting could fetcher for at least 10，000 yuan or $1，500. Since the 1980s， Xu has participated in myriad national exhibitions for fishermen’s paintings and won multiple awards. In 2009， he was named as one of the Top Ten Farmer Painters in China.

In Dinghai， fishermen art enthusiasts have created their own painting society. Huang Haimin， who is in charge of the society， said that local authorities have organized regular training and programs on fishermen’s painting in recent years for the members of the society.

It is said that one needs only to set foot on Shengsi， known as a “county with a hundred of islands”， one will understand its reputation as a “fairyland on the sea”. Soft and delicate sand beach， fishing boats shuttle on the sea， delicious seafood ... More eye-catching are the fishermen's paintings full of fishing charm： on the wall， in the guesthouses， at the entrance of the villages and at the bow of the boat … you can find them everywhere.

Lu Xiurong was among Shengsi’s first fishermen painters. A Squid Couple， a painting by Lu in 1987， has made her famous and become a classic of fishermen’s paintings.

“I hadn’t learned anything about painting at all，” she recalled her experience of attending a training class in 1987， when she was 17 years old， for fishermen’s paintings at the county cultural center. She and some other fishing girls， who had no next-to-nothing art knowledge or technique， finished a group of fishermen’s paintings after several months of intense training， which were then exhibited in the Shanghai Art Museum and later in the National Art Museum of China.

Tian’ao village in Shengsi county is itself a base for fishermen’s painting. On the walls of homestays， a series of fishermen's paintings instantly bring people into the world of the sea： on the fishing boat， the fishermen pull the net hard， jumping fish weighing down the net; by the wharf， fisherwomen are busy picking up fish with bare feet; on the beach， girls are weaving fishnets ...

In 2014， the village set up a creative experience hall themed on fishermen's paintings， attracting not only those from art institutions， but also more villagers to take up painting. During peak seasons， it is a place for many tourists to try their hands on fishermen's painting. In the off-season， it serves as a painting base for locals.

At present， nearly 200 households in Tian’ao village have opened homestay business， receiving an average of more than 90，000 tourists annually and earning over 20 million yuan.

While modern fishermen’s painting as a genre emerged in the 1980s， its origins go a long way back in history. In ancient times， Zhoushan’s fishermen already began to paint on their boats auspicious symbols and sea creatures， such as Avalokitesvara to pray for peace and prosperity. It is the rich traditional folk art tradition that has given rise to fishermen’s painting as we know today.

In recent years， moves have been taken to make it into an industry. In 2014， the Industrial Association for Zhoushan Fishermen’s Painting was established. “Only 20 or 30 kinds of cultural derivative products from fishermen’s paintings used to be made，” said Zhang Gaojun， president of the association and a well-known local painter. “Now you can easily see 200 or 300 kinds.” From apparel and shoes to handbags and accessories， fishermen’s paintings can be found on various cultural and creative products， the total value of which increased from 500，000 in 2014 to four million. More efforts are still needed for the long-term and steady development of the fishermen’s painting industry， said Zhang， in particular raising awareness on intellectual property rights， opening sales channels for related products and cultivating more talents.