在文化集市感受季節(jié)之美

郭思珈

經(jīng)過一段時間的陰雨連綿，心似乎也跟著發(fā)了霉。看到這樣的好天氣，杭州人自然珍重異常，為了不再有“最是人間留不住”之嘆，我選擇來到杭州良渚文化村，參加大屋頂?shù)南盗形幕顒樱w驗一次自然與人文的熏陶。

“大屋頂”是良渚文化藝術中心的別稱，由日本著名建筑大師安藤忠雄先生設計。我很喜歡他的一句話：公共建筑的精髓就是能讓人聚集在一起。這座建筑也真的在浙江完成了這樣的使命，成為無數(shù)市民休閑放松的好去處。

建筑內(nèi)部分為展示棟、文化棟與商業(yè)區(qū)，外部輝映著大草坪、水臺，每到春天櫻花爛漫。這里的一百棵純正吉野櫻自日本漂洋過海而來，由安藤先生本人捐贈，他希望美麗的櫻花長植在這里，也能長植在來往游客的心中，讓每個人能夠直面生活的苦難，不忘記最初的理想。

這次活動最熱鬧非凡的當屬“藝術品集市”了。櫻花樹邊搭起了一頂頂小帳篷，這每一頂小帳篷里都有著獨一無二的精彩。伴著人群流連于這些攤位之間，真有如在趕一個熙熙攘攘的市集。

你瞧，這一頂帳篷里擺滿了精巧的耳環(huán)項鏈戒指，這些首飾都被打造成植物形狀，很是精巧。仔細去看，你可以看清楚這朵“玫瑰花”花瓣的重重疊疊，這枚“楓葉”的葉莖葉脈，這只“蝴蝶”的翅膀紋路。店主小袁告訴我們，這些首飾都是用真的植物與動物制成的，從大自然中取材，人工上色著料，他把這種工藝稱作“電鑄藝術”。

談起他的作品，小袁很是驕傲。他本是學園藝出身，在與大自然的互動中產(chǎn)生了要把美保留下來的想法。他轉(zhuǎn)身投向藝術，每一件作品都經(jīng)過幾天甚至幾個月的精心雕琢而成，這些作品承載了他對美的執(zhí)著與追求。在制作的過程中，小袁也在逐步進行著自己的美感積累，他很熱愛自己的這份工作。

我們還可以在不同的帳篷中看到用植物取色染成的衣服、戴在手上隨風而動的戒指、美麗精巧的香薰制品、造型奇特的襪子、牛仔布縫制的搞笑娃娃。要是逛得餓了渴了，我們也可以在另一些帳篷中品嘗到帶有藝術氣息的手磨咖啡、自制啤酒、鮮榨果汁，可以吃到現(xiàn)場加工的鯛魚燒、手工面包。在這櫻花集市中，吸引我們的不僅僅是一件件藝術品，其實也有藝術品背后那一位位熱愛生活的人，聆聽著他們對自己創(chuàng)作理念熱情洋溢的介紹，我們不禁被感染，感嘆道，真好，這世界上原來有這么多有趣的人吶。

這樣一個天氣晴好的日子，逛累了這些藝術品店鋪，不妨去旁邊的大草坪上散散步。經(jīng)過雨水連綿的滋潤，恰逢暖陽照耀，萬物都煥發(fā)了生機。草更綠了，景色更美了。水臺里的清水在微風的吹動下也泛著層層漣漪。游客們?nèi)齼蓛桑腥讼囟c朋友家人暢談;有人在樹下擺著各種姿勢，讓自己的同伴用相機記錄下這個美好瞬間;有人在地上鋪了席子，拿出食物準備野餐。小孩子們更是興奮，有的在吹泡泡，有的在放風箏，有的在追逐打鬧。遠遠看去，儼然一幅歲月靜好圖。

不一會兒，大草坪上的搖擺舞開始了。主持人勁頭十足地教著大家最簡單的舞步，邊示范邊喊著口令 ：“后—后—左—右—two—three—”，一開始大家還真有點放不開，但是現(xiàn)場氣氛在幽默詼諧的主持人的帶動下漸漸活躍起來，大家開始兩兩組合，跟著主持人的口令，有規(guī)律地前后左右搖擺。關于搖擺舞還有一個有趣的說法：“要把舞跳好，那就先把你的舞伴逗樂。”跳舞時，一方可以做一些夸張的動作或扮鬼臉來逗舞伴開心。這種不受規(guī)則約束，以開心為目的的舞蹈深受大家歡迎，大家笑著、跳著，越來越多的人加入這個隊伍，甚至有的陌生人也互相組起了隊，在盡情的搖擺中，釋放生活的壓力，收獲滿滿的開心與幸福。

建筑內(nèi)部有咖啡吧、文創(chuàng)區(qū)，還有一個溫馨的小圖書館。圖書館里有五萬余冊藏書，以文史哲為主，兼顧文藝與學術，并且免費向市民開放。這里也會不定期舉辦文藝沙龍，曾邀請過麥家、阿乙、劉斌等十幾位著名作家進行讀書分享。這是一方心靈的港灣，這里沒有城市的喧囂，沒有世俗的紛雜，知識的有緣人自會尋到這個港灣，泡上一杯咖啡，在某個角落里攤開一本書，盡情遨游于另一個世界，獲得一種難得的內(nèi)心寧靜，這實在是一件再幸福不過的事。

攝影展覽也是不能錯過的精彩。二十世紀八十年代，日本攝影師秋山亮二先生來到中國，輾轉(zhuǎn)幾個城市，用鏡頭記錄下了那個年代各地小朋友們的童年生活。在一張張照片中，我看到了那些記憶中久違了的事物：紅領巾、綠軍裝、小紅花、跳格子，也被一幅幅照片中兒童純真的臉所感染，更能感受到照片背后，拍攝者的那雙發(fā)現(xiàn)美的眼睛以及赤誠的心靈。這世間的美好是不分國界與種族的。

此番踏足良渚，不負美好時光。愿每個人心中的春天永不過季。

The Beauty of Spring at a Cultural Fair

By Guo Sijia

After a period of rainy days， my mood seems to have mildewed as well. Seeing such a good weather， I decide to come to the Liangzhu Culture Village and be part of a series of cultural activities held in the “Big Roof”.

Designed by Tadao Ando， a top architect and Pritzker Prize winner， the “Big Roof” is the nickname of the Liangzhu Culture and Art Center， which was officially opened to the public on June 5， 2016， and named one of the top ten “new landmarks” in Hangzhou in 2021. As Ando once said， “… architecture is fundamentally a public space where people can gather and communicate …”. The “Big Roof” has achieved exactly that mission， becoming one of the most popular places for local residents.

Inside the “Big Roof”， it is divided into the exhibition， culture and business areas， while a big lawn and a fountain lie on the outside. Each spring， cherry blossoms can be seen all around the place. In fact， the 100 Somei Yoshino cherry trees came from Japan and were donated by Mr. Ando himself. He hoped that the beautiful cherry trees would grow in the hearts of tourists， and everyone could face the hardships of life and never forget their dreams.

The most jolly event is the Artworks Fair. Small tents have been set up near the cherry trees， and each tent had its own unique charm. Walking among these stalls with the crowd is like walking in a bustling bazaar.

One of the tents is filled with elaborate earrings， necklaces and rings， all created in the shape of plants， quite elaborate. If you look carefully， you can actually see the overlapping of the petals of a "rose"， the veins of the leaf stem of a "maple leaf" and the texture of the wing of a "butterfly". The owner， a Mr. Yuan， says the jewelry is made from real plants and animals and painted by hand， a process he calls "electroforming art."

Speaking of his works， Mr. Yuan is full of pride. Originally a student of horticulture， he conceived the idea of preserving beauty in his interactions with nature， which led him to art. Every piece of his work has been elaborately carved， taking him several days or even months. In the process， he is also gradually developing his own aesthetics. He loves his current job very much.

In the other tents， you can also see clothes dyed with the colors of plants， rings that move with winds， drink hand-ground coffee， homemade beer， fresh juice， and taste grilled snapper and handmade bread. At the fair， what is even more attractive is the people behind each artwork， their enthusiasm and love towards their works.

If you are tired of visiting all the stalls， you might as well take a stroll on the big lawn sitting just beside. Tourists sit on the grass in twos and threes， chatting with friends and family. Some pose under the tree for their partner to record the moment with a camera. Some brings out food and snacks and put it on a mat for a picnic. Children are always more excited， some blowing bubbles， some flying kites and some chasing each other.

Inside the building， there is a coffee bar， an area for cultural and creative products， and a cozy little library. The library has a collection of more than 50，000 volumes， focusing on literature， history and philosophy， open to the public for free. Literary salons have been held here from time to time， and more than a dozen famous writers such as Mai Jia， A Yi， Liu Bin and Wu Xiaobo have been invited to share their books. This is a harbor for the soul： there is no hustle and bustle of the city， there is no worldly chaos， and for people seeking knowledge， they will surely find it.

The photography exhibition is another must-see. In the 1980s， Japanese photographer Ryoji Akiyama came to China and recorded the lives of children from all over the country.

All in all， a spring outing in Liangzhu is definitely worth the effort.