項目位置:深圳市南山區
業主單位:深圳華僑城房地產有限公司
建筑設計:深圳市華匯設計有限公司
主創建筑師:肖誠,牟中輝
設計團隊:李志興,黃靖文
總建筑面積:208 200m2
占地面積:92 000m2
設計時間:2012年
竣工時間:2015年
建筑攝影:張超
Project Location: Nanshan,Shenzhen
Client:Shenzhen OCT Properties Co.,Ltd.
Achitect Design: Shenzhen Huahui DesignCo.,Ltd.
Creator: Xiao Cheng, Mou Zhonghui
Design Team: Li Zhixing,Huang Jingwen
Build Area: 208,200m2
Site Area: 92,000m2
Design Date: 2012
Completion Date: 2015
Photographer: Zhang Chao
華僑城香山美墅項目位于深圳市南山區華僑城的西北片區,總用地約20.8萬平方米,共分為四個地塊。其中一期占地面積9.2萬余平方米,處于整個小區的中心地帶,是四個地塊中唯一的以低密度住宅作為空間主體的區域,享有華僑城完善的配套設施及生態人文資源。在繁華熱鬧的都市中,演繹了中式人文情懷與極致生活品質的完美結合。
深圳華僑城的總體規劃由新加坡規劃專家孟大強先生制定,他提出了“依托自然、以人為本”的規劃原則,依據這一原則,華僑城保留了原有的地形地貌、綠化等自然生態資源。在良好的生態格局基礎上,建立一個優美、安靜的適于人居住的城市環境。
項目基地位于華僑城的西北角,其位置游離于華僑城核心區域,在規劃設計上,考慮了與主片區現有各組團之間的聯系及互動,使得規劃結構呼應整體空間格局。以西南角僑城馨苑,東南側純水岸組團,東北側香山里組團為依據,確定了以波托菲諾現有規劃肌理-東南向34.6度傾斜的角度作為項目規劃主軸線。不僅將各個組團緊密聯系在一起,同時東南和西南兩個主朝向也充分利用了高爾夫及純水岸兩個內外景觀。
The Xiangshan Villas project is located in the northwest sector of the Overseas Chinese City in Nanshan District, Shenzhen.It occupies about 208,000 square meters and is divided into four plots.The primary plot covers an area of 92,000 square meters, and is located right in the center of the estate.Of the four plots, it is the only low-density residential area, and can enjoy all of Overseas Chinese City's lifestyle facilities and ecological and cultural resources.It has achieved a perfect combination of Chinese humanistic culture and the ultimate quality of life in prosperous city.
The master plan of OCT Shenzhen was formulated by Mr.Meng Daqiang, a Singaporean planning expert,who put forward the planning principle of "relying on nature and putting people first".According to this principle, OCT kept its original terrain, landforms, greening and other natural ecological resources.On the basis of good ecological pattern, a beautiful and quiet urban environment suitable for human habitation is established.
The project base is located in the northwest corner of OCT, which is located in the core area of OCT.In terms of planning and design, the connection and interaction between the existing groups in the main area are considered, so that the planning structure echoes the overall spatial pattern.Based on qiaocheng Xinyuan in the southwest corner, pure water bank group in the southeast and Xiangshan Li group in the northeast, the existing planning texture of Portofino —— the Angle of 34.6 degrees to the southeast is determined as the main axis of the project planning.The two main orientations, southeast and southwest, make full use of the golf course and the pure water shore, both inside and outside.
Through "organic planning", different types of products are arranged and combined in an orderly way to form a dynamic mixed community and provide the greatest possibility for community public participation to form a harmonious and unified model.It introduces the organic combination of Chinese courtyard life and modern social life, and USES the space to turn into the second order.Following the resource optimization logic of "high outside and low inside", the internal layout is mainly to close the courtyard, with townhouse products supplemented by row and stack.The periphery is dotted with small high-rise and super high-rise buildings, which gradually rise from the inside to the outside, surrounded and incompatible, and dense.In terms of spatial temperament, the image of peripheral architecture is public,presenting a sense of modern city.The interior space creates a living environment with humanistic atmosphere, pleasant scale and natural ecology.


一、二層平面圖


通過“有機規劃”將不同類型產品有序的排列與組合,形成富有活力的混合社區,并且提供社區公眾參與的最大可能性,形成和諧統一的模式。引入中式院落生活與現代社會生活的有機結合體,運用空間起承轉合的次第順序。遵循 “外高內低”的資源優化邏輯,內部布置以合院為主,聯排、疊拼為輔的別墅產品,外圍點綴小高層和超高層,由內而外漸次升高,圍而不合,疏密有致。在空間氣質上,外圍建筑形象公建化,呈現出現代都市感;內部空間營造了具有人文氣息、尺度宜人、自然生態的居住環境。
以六組“合院”住宅構成空間重心,每組合院由八個緊密聯系的T型住宅組成,運用空間起承轉合的次第順序,小區公共庭院-巷道-半公共庭院-私家庭院-家,層層推進,在喧囂的城市環境中營造出一片靜土。住宅結構的內向性,以庭院為核心展開,強調人與自然的溝通協調。
建筑風格定位為現代中式,為體現空間的中式韻味,同時營造內向性的靜謐環境,采用了優質的天然建造材料,主要立面由芬蘭木和銹石構成,在此基礎上,利用深色金屬的精細收束和中式元素窗欞的設計,增添對建筑細節的勾勒與整體風格的描繪。
以六組合院別墅組團為核心的規劃結構,梳理出“一主兩次”軸線景觀體系。延續現代中式格調,結合水景、洞石景觀墻,以清晰的軸線串聯住宅組團,與合院的主庭院空間相連,層層遞進、由外而內,共同建立起居住者與景觀環境的溝通,重新詮釋了當代語境下的院落精神。
香山美墅的高層、小高層的建筑立面延續了現代中式風格,色彩以黑白灰為主調,作為組團空間的外圍界面,圍而不合,線條干凈利落,用材簡潔現代,與原有的純水岸、僑城馨苑等現代風格高層進行了很好的對話。戶型設計通透,采用大面寬小進深,立面設計出挑陽臺,將僑城景色一覽無余,而向中式院落的回望,也完成了對院落精神內核的追慕和升華。

Six groups of "compound courtyard" houses constitute the center of gravity of space, each compound courtyard is composed of eight closely connected T-shaped houses, using the second sequence of space turning and closing, the community public courtyard—— laneway —— semi-public courtyard —— private courtyard —— home, advancing layer by layer, creating a quiet earth in the bustling urban environment.The internality of the residential structure, with the courtyard as the core, emphasizes the communication and coordination between man and nature.
Positioning for the modern Chinese architectural style, to embody the space of Chinese style lasting appeal, at the same time build introversion of the quiet environment, adopt high quality natural building materials, the main facade made up of Finland wood and rust stone, on this basis,using the dark metal detailed help and the design of Chinese style element lattice, add the outline details of construction and the overall style.
With the planning structure of six compound courtyard and villa groups as the core, the axis landscape system of "one main and two times" is sorted out.Continuation of the modern Chinese style, combined with the waterscape and stone cave landscape wall, the residential cluster is connected with the main courtyard space of the compound by clear axis, layer by layer, from the outside to the inside, to jointly establish the communication between the residents and the landscape environment, and to re-interpret the spirit of the courtyard in the contemporary context.
The facades of the high-rise and small high-rise buildings of Xiangshan Villa continue the modern Chinese style, with the color of black, white and gray as the external interface of the group space,which is enclosed but not suitable, with clean lines and simple and modern materials, and the original pure water bank, Qiaocheng Xinyuan and other modern style high-rise buildings have a good dialogue.The house design is transparent, with a large width and a small depth.The facade is designed with a balcony that gives a panoramic view of the scenery of Qiaocheng.Looking back at the Chinese courtyard also completes the admiration and sublimation of the spiritual core of the courtyard.