MAIIAM當代藝術博物館

項目地點：泰國清邁

建設單位：MAIIAM當代藝術博物館

用地面積：3 700平方米

總建筑面積：3 330平方米

樓層數：2層

建筑設計：all(zone)

設計團隊：Rachaporn Choochuey, Sorawit Klaimak,Asrin Sanguanwongwan, Aroonrod Supreeyaporn

協同設計：Sarin Nilsonthi

建筑施工：Urban Form

結構工程師/水電工程師：Next Innovation

照明設計：Kris Manopimok

日光設計：Narongwit Areemit

景觀設計：Rachaniporn Tiempayotorn

設計時間：2015-2016年

竣工時間：2016年

攝影：Soopakorn Srisakul

Location: Sankampheng, Chiang Mai, Thailand

Client: MAIIAM Contemporary Art Museum

Site Area: 3 700 m2

Gross Built Area: 3 330 m2

Floor Numbers: 2

Architects: all(zone)

Design Team: Rachaporn Choochuey, Sorawit Klaimak,Asrin Sanguanwongwan, Aroonrod Supreeyaporn

Design Collaboration: Sarin Nilsonthi

Construction Company: Urban Form

Structural Engineer / Engineer (Water and Electricity): Next Innovation

Lighting Designer: Kris Manopimok

Daylight Designer: Narongwit Areemit

Landscape Architect: Rachaniporn Tiempayotorn

Design Year: 2015-2016

Completion Year: 2016

Photography: Soopakorn Srisakul

位于泰國最具文化氣息的城市之一清邁的MAIIAM當代藝術博物館，作為泰國第一家當代藝術博物館，旨在為泰國及該地區的藝術增光添彩。一個舊倉庫被改造成一個藝術之家，一個安靜但便利的平臺，用于舉辦各種各樣的活動，試圖保持地方的工業精神。藝術空間的自然光通過簡單的當地材料和復雜的計算來實現。前面的部分作為輔助設施添加到畫廊空間。沿著公路的主立面鋪上了數以百萬計的微型裝飾鏡面瓷磚，這些瓷磚通常用在傳統泰國建筑中，并采用了新技術。鏡子有助于將建筑與周圍環境融為一體，反之亦然，表明建筑的意圖就像一張空白的畫布，為所有的藝術操作做好準備。

Situated in one of the most cultural city of Thailand, Chiang Mai, MAIIAM Contemporary Art Museum aims to brighten up art scene in Thailand and the region as the first contemporary art museum in the country. An old warehouse is transformed into a house of art, a quiet but well-facilitated platform for wide range of activities, with an attempt to keep the industrial spirit of the place. Natural light for art space is achieved through simple local materials with sophisticated calculations. The front part is added as supporting facilities to the gallery space. The main facade along the highway is cladded with millions tiny decorative mirror tiles as of those commonly used in traditional Thai architecture with new techniques. The mirrors help to dissolve the building into the surroundings and vice versa,stating architecture’s intention as a blank canvas ready for all art operations.