素胚瓷片：申窯藝術中心（一期）

劉宇揚

現(xiàn)況

本項目地塊位于上海市嘉定區(qū)華江路，立足于北虹橋區(qū)域。這片保有經(jīng)典工業(yè)遺存景象的廠區(qū)，隨著江橋鎮(zhèn)被納入虹橋商務圈，急需一輪改造更新來優(yōu)化升級，以適應城市的新發(fā)展。

廠區(qū)內(nèi)一棟建筑是包含了辦公樓、兩組大空間廠房以及數(shù)個附屬小建筑的“生產(chǎn)綜合體”；另一棟是板式多層宿舍，建造之初為多層廠房。現(xiàn)場保留的完整結構框架，帶有工業(yè)的秩序感與大尺度生產(chǎn)車間的強烈空間感。設計的挑戰(zhàn)在于繼承原廠房大空間的建筑結構，賦予其新的功能，將原有鑄鐵舊廠房改造為展示陶瓷藝術的創(chuàng)意藝術園區(qū)（圖1—圖15）。

設計策略

從與原有建筑空間和結構的對話開始，挖掘置入的新功能空間的主題特征，在自身合理組織的同時也時刻跟原有結構體系產(chǎn)生碰撞與磨合。最后，通過對原有結構的局部退讓、包裹、強化等空間關系處理，讓充滿序列感的結構體系暴露在城市空間中。

立面改造

我們選擇正交與曲線組合的這一形式母題，將“素胚瓷片”抽象為片狀弧面，結合不同建筑部位，有著三種譜系演繹：內(nèi)凹的弧形門斗、適應不同空間尺度窗戶的弧面窗套、聯(lián)系陽臺上下層貫通的弧面鋼板幕墻。這些被系統(tǒng)組織的弧面作為構件，散落在廠區(qū)立面的各個位置，賦予建筑特有的立面特征，由此呈現(xiàn)出申窯的主調(diào)性。

南立面主入口大尺度的門斗設計，將廠房獨有的空間特征向外立面延展。門斗空間裸露出通高結構的單柱，在揭示室內(nèi)空間的同時發(fā)揮空間趣味。

廠房西側突出的墻體與屋頂被拆除，作為將來酒店的前場，完整地露出鋼筋混凝土的結構骨架。遺留構架的包裹，形成清晰的建筑體量關系，引入玻璃鋼格柵幕墻體系，在保持體量完整的前提下，增加室內(nèi)空間采光，增加立面豐富性。

圖 1 / Figure 1素胚瓷片：申窯藝術中心（一期） / Unglazed Fragments:Shenyao Art Center（Phase I）

室內(nèi)空間

我們梳理了建筑內(nèi)部體量，在原有的大空間結構中靈活地設置并創(chuàng)造不同尺度的多重展示空間，在滿足功能的同時注重塑造空間的趣味性，將其從原來的“生產(chǎn)綜合體”轉換成包含展覽、工坊、培訓等功能的“藝術綜合體”。

西側主體廠房內(nèi)部增加了鋼結構來劃分出三層主要空間：在公共走廊區(qū)設置一組順應結構的長天窗以及三組方形天窗，將光線引入室內(nèi)穿透至各層；錯落布置玻璃鋼格柵+鋼化玻璃樓面，更多的光線被引入廠房的中心區(qū)域，光線透過玻璃鋼格柵被細分成小尺度的方格形狀，在平靜的辦公空間中與使用者產(chǎn)生互動，使人感受到光線的流動；公共走廊兩側的房間內(nèi)，置入半透明的陽光板+玻璃的雙層隔斷，改善原來空間的采光缺陷又滿足藝術空間需要的安靜。

我們將逐步完善在建筑中置入的光井設計，靈動地處理采光與通風問題：穿越各個樓層的“瓷片”內(nèi)部有樓梯或電梯，隔墻由白色墻體或U型玻璃組成，“光線、弧線、質(zhì)感”無不讓人產(chǎn)生對陶瓷藝術的濃厚興趣。

圖2 / Figure 2申窯園區(qū)總平面圖 / Site Plan

圖3 / Figure 3申窯園區(qū)一層平面圖 / Ground Floor Plan

圖4 / Figure 4申窯園區(qū)3層平面圖 / 3rd Floor Plan

景觀梳理

廠房內(nèi)部功能之間的退讓，將遺留構架暴露給天空，新置入的功能之間也獲得中庭空間，打破原來沉悶的空間體量。進一步地，我們把廠房腰部拆除，打造成半室外空間，高聳的空間以及完好的屋頂預支桁架結構都給人帶來強烈的震撼。外部景觀從前場穿越至后場，被分為東區(qū)與西區(qū)兩部分，以解決廠房占地過大的壓力，也便于改善建筑功能布局的分組與節(jié)奏；同時全方位地解決光線昏暗，廠房大進深無法滿足日常使用的問題。

未來展望

面向未來此片區(qū)的進一步發(fā)展，我們設計預留出用作市民參與公共活動的廣場空間，連廊直通“藝術綜合體”的內(nèi)部，作為北廣場的入口。一方面意圖通過漸進的方式逐步完善空間；另一方面，在設計解剖與重塑文化的同時，讓本區(qū)域成為周邊市民參與互動開放的城市公共空間。

在未來，改造后的“申窯藝術中心”將作為北虹橋藝術示范園區(qū)與南側的公園相呼應，并與江橋周邊的萬達商業(yè)廣場等商業(yè)資源形成互補，成為北虹橋的新文化地標。

基本信息

項目名稱：申窯藝術中心（一期）

項目地點：上海市嘉定區(qū)華江路

基地面積：15,765 m2

建筑面積：14,440 m2

設計時間：2014—2016年

建設時間：2016—2018年

設計單位：劉宇揚建筑事務所

主持建筑師：劉宇揚

項目主管/項目建筑師：吳從寶

設計團隊：王玨、陳卓然、陳晗、朱成浩、胡啟明、文天啟、周斯佳、宣佳麗、馬騰、王軍、楊一萌、周哲、林璨、賀雨晴

習近平總書記指出，人才是實現(xiàn)民族振興、贏得國際競爭主動的戰(zhàn)略資源，必須堅持黨管人才原則，聚天下英才而用之，加快建設人才強國。未來總是屬于年輕人。中國石化青工委正在聯(lián)合有關部門加快實施人才強企工程，以增強“八種本領”為重點，建立源頭培養(yǎng)、跟蹤培養(yǎng)、全程培養(yǎng)的素質(zhì)培養(yǎng)體系，促進各領域青年人才脫穎而出，青年人才活力競相迸發(fā)，努力建設一支矢志愛國奉獻，勇于創(chuàng)新創(chuàng)造的優(yōu)秀青年人才隊伍，助推中國石化決勝全面可持續(xù)發(fā)展、邁向高質(zhì)量發(fā)展、打造世界一流。

駐場建筑師：林益洪

圖5 / Figure 5申窯園區(qū)分析圖 / Diagram

圖6 / Figure 6

圖7 / Figure 7

圖8 / Figure 8

圖9 / Figure 9

圖10 / Figure 10

圖11 / Figure 11

圖12 / Figure 12

圖13 / Figure 13素胚瓷片：申窯藝術中心（一期） / Unglazed Fragments: Shenyao Art Center（Phase I）

圖14 / Figure 14申窯北廣場入口 / North Square Entrance

SYNOPSIS

Unglazed Fragments: Shenyao Art Center（Phase I）

LIU Yuyang

Located in Jiading District of Shanghai along Jinghu Highway, the project is a renovation and regeneration of a series of decommissioned industrial factories and annexes from the 1990’s. The design adopts the idea of“unglazed fragments of porcelain” to generate the formal language of the fa?ade intervention as well as the interior spaces. Preserving the structure and the relationship with the site, the design brings a creative atmosphere and new type of program by adding steel structures within the original industrial space. The large volume of enclosed and deep factory spaces is opened up by a newly inserted landscape corridor with a glass canopy to connect the front and back sides of the site, maximizing the usage of interior spaces for people and businesses. (Figure1-15)

Current Situation

The project site is located on Huajiang Road in Jiading District, Shanghai, based in the North Hongqiao area.This land of factories retaining typical industrial heritage,is in urgent need of renovation and regeneration to adapt to the latest urban development, when Jiangqiao Town is being integrated with the Hongqiao business district.

One of the factories is a “production complex” consisting of an office building, two groups of large-span workshops and several small annexes. The other one is a multi-storey dormitory which originally was built as a multi-storey factory. The complete structural framework was preserved on site with a sense of industrial order and a strong sense of space in a large-scale production workshop. The design challenge here is to inherit the structure of the original large factory, bring in new functions, and transform the original old iron foundry into a creative art park for displaying ceramic art works.

Design Strategy

Starting from the dialogue with the original architectural space and structure, we dig into the well-organized theme features of the newly-placed functional space,which intertwining with the original structural system.Finally, we expose the structural system with a sequential sense of urban space, by partially conceding, wrapping or reinforcing the original structure.

Facade Renovation

We use the combination of orthogonal and curved lines as abstraction of “unglazed fragments of porcelain” to form three different series of interpretations according to different architectural parts: concave vestibule, window casings adapting to different scales of space and the steel-plate curtain wall connecting the upper and lower layer of balconies. These systematically organized round surfaces are scattered as components at various locations on the fa?ade of the factories, creating a unique architectural expression for the building fa?ade.Design of the large-scale vestibule at the main entrance of south fa?ade extends the unique spatial feature of the factory to the outer fa?ade. The space of vestibule exposes a single column with a high structure, revealing the interior space for the curiously-minded.

The protruding wall and roof on the west side of the factory were demolished to completely expose the structural skeleton made of reinforced concrete as, creating a key element of industrial heritage and landscape device connecting phase 1 and phase 2 of the project. Wrapping the original structure forms a clear relationship of the building volumes. The introduction of Fiber-Reinforced-Plastic grating curtain wall system keeps a complete volumetric form, increases interior lighting, and offers a richly textured fa?ade.

Interior Space

We reconfigured the internal masses of the factory, flexibly set and created multiple display spaces of different scales in the original large-space structure. Paying attention to create fun in space while satisfying the function, it is transformed from the original “production complex” into an “art complex” for exhibitions, workshops, trainings and so on.In the west side of the main factory, we added a steel structure to divide it into three main sets of space: a set of long skylights adapting to structure and three sets of square skylights in the common corridor area, invite light inside and penetrate all the layers; scattered layout of FRP grating and reinforced glass floor, introduce more light into the central area and subdivided into small-scale square shapes, interacting with users to feel the flow of light in a calm office; double-layer partition made of translucent polycarbonate panel and glass are placed in the rooms on both sides of the common corridor, which solves the lighting problem of the original space and meets the need of quietness for art spaces.

圖15 / Figure 15申窯北廣場入口 / North Square Entrance

We proposed large light wells as abstract “ceramic pieces” to resolve the problems of light and ventilation in the large interior spaces. Stairs and glass elevator inside the “ceramic pieces” go through each floor; partition walls are printed with white paint or U-channel glass;“l(fā)ight, arc and texture” all aims to inspire people’s strong emotion in ceramic art.

Landscape Reconfiguration

The receding of interior programs allows the preserved structure to be exposed to the sky. Among the newly-placed functions, the space for an atrium is created to break the monogamous volume. We further removed the connecting part of the factory complex to create a semi-outdoor space. The towering space and the intact pre-supporting truss roof structure both bring a strong visual impact to the visitors. The external landscape is connected from between front and back sides and divides the buildings into the east and west wings, relieving the pressure of having a large building footprint and facilitating a rhythm of internal programs. At the same time, the semi-covered landscape atrium helps to bring in the much-appreciated natural light and greenery into the deep part of the interior spaces.

Future Prospects

Faced with the prospect of future development in this area, the project sought to transform the former industrial compound into a new art and creative hub for the public by integrating closely to the new boutique hotel and office addition of the phase II, incorporating the surrounding neighborhood such as the adjacent retail complex and the open landscape park, ultimately creating a new cultural landmark in the North Hongqiao area.

Facts

Project Name : Shenyao Art Centre（Phase I）Location : Jiading District, Shanghai

Type : Exhibition, Workshop, Education

Site Area : 15,765 m2

Scale : 14,440m2

Design Stage : 2014-2016

Construction Stage : 2016-2018

Design : Atelier Liu Yuyang Architects

Design Principal : Liu Yuyang

Project Leader /Project Architect : Wu Congbao

Design Team : Wang Jue, Chen Zhuoran, Chen Han, Zhu Chenghao, Hu Qiming, Wen Tianqi,Sylvia Zhou, Xuan Jiali, Ma Teng, Wang Jun,Zhou Zhe, Yang Yimeng, Lin Can, He Yuqing

Site Architect : Lin Yihong

Design Scope: Planning, Architectural Design(Addition and Alteration), Interior Design (Common Area and Exhibition Space), Landscape Design

Client: Shanghai Shenyao Art and Culture Development Co., Ltd.,

Shanghai Xinao Industrial Co., Ltd.

Structure Consultant: Zhang Zhun

Electromechanical Consultant: Gao Xintai, Yu Lihua，Gou Shaobo

Contractor: Shanghai Xinao Industrial Co., Ltd.Structure: Steel-frame

Main Materials, Architectural: Fluorocarbon-coated Steel Panel, Fiber-Reinforced Plastic Grille, Stone-effect Coating

Main Materials, Interior: Polycarbonate Panel,Titanian-planted Stainless Steel Panel, In-situ Terrazzo

Main Materials, Landscape: Terracotta Brick,Natural Surface Cobble Stone, Flamed Granite Photography: Zhu Siyu