“我只在乎那顆最小最寂寞的星星”

倪子惠

摘??要：“我只在乎那顆最小最寂寞的星星”，這句話可以看作虹影對底層女性書寫的使命寫照。貧民窟的童年經歷是虹影的靈感來源，她以文學的方式再現底層女性的真實生活，從“底層人”的視角來重構被遮蔽的“她者”歷史。在早期作品中，虹影以“悍婦”和“蕩婦”形象展現底層女性在父權制婚戀關系中所承受的“說不出的黑暗”，揭開被遮蔽的第三世界底層女性幕布，來敘述真實的自己；中后期的底層女性書寫里，虹影對世界有了一個新的看法，她從對立的性別矛盾中走出來，逐漸向新的兩性相處模式靠近。在新作《月光武士》中，虹影借“月光武士”來寄托對底層女性精神力量的期許，而這一形象的出現和失敗也讓其重歸神話，從矛盾的“他人拯救”最后落腳到個人身上。

關鍵詞：虹影；新移民文學；底層女性書寫

中圖分類號：I206????文獻標識碼：A????文章編號：1006-0677（2024）1-0082-06

'All?I?Care?about?is?the?Tiniest?and?Most?Solitary?Star'：

On?Hong?Yings?Writing?about?Women?at?the?Bottom

Ni?Zihui

Abstract：?The?remark，?'All?I?Care?about?is?the?Tiniest?and?Most?Solitary?Star'，?can?be?viewed?as?an?epitome?of?Hong?Yings?mission?of?writing?about?women?at?the?bottom.?Her?childhood?experience?in?the?ghetto?is?the?inspirational?source?for?Hong?Ying?who，?by?way?of?literature，?represents?the?real?life?of?women?at?the?bottom，?reconstructing?the?history?of?a?concealed?female?Other?from?the?bottom?point?of?view.?In?her?early?work，?Hong?Ying?depicts?the?unspeakable?darkness?born?by?women?at?the?bottom?in?the?patriarchal?marital?relationship?with?the?images?of?termagants?and?sluts，?lifting?the?curtain?on?the?concealed?women?living?at?the?bottom?of?the?Third?World，?in?the?revelation?of?a?true?self.?In?her?mid-to-late?writing?about?women?at?the?bottom，?Hong?Ying?has?a?new?perspective?on?the?world?as?she?gradually?moves?to?a?new?model?of?male?and?female?cohabitation，?away?from?the?oppositional?gender?conflict.?In?her?new?work，?Warriors?in?the?Moonlight，?Hong?Ying?expresses?her?expectation?on?the?spiritual?power?of?the?women?at?the?bottom?by?way?of?warriors?in?the?moonlight，?and?the?success?or?failure?of?this?image?as?it?appears?helps?it?go?back?to?the?myth，?dropping?at?the?foot?of?oneself?from?the?contradictory?attempt?to?save?others.

Keywords：?Hong?Ying，?new?migrant?literature，?writing?about?women?at?the?bottom