文華東方酒店及公寓

卡塔爾多哈

設計單位： 約翰·麥卡蘭建筑事務所

合作者： Duravit， Alexander Lamont， Cassina， FLOS， Kone， Phillip Jeffries

項目總建筑師：Fanos Panayides

執行建筑師： Burns McDonnell

室內設計：大衛·柯林斯工作室及Jouin Manku

建筑面積： 20 000 平方米

竣工年份： 2021年

項目攝影： Hufton amp; Crow

Architects： John McAslan + Partners

Collaberators：" Duravit， Alexander Lamont， Cassina， FLOS，

Kone， Phillip Jeffries

Lead Project Architect ： Fanos Panayides

Executive Architect ： Burns McDonnell

Interior Design： David Collins Studio and Jouin Manku

Area： 20 000 m2

Year： 2021

Photographs： Hufton amp; Crow

多哈文華東方酒店及公寓是多哈市中心姆什萊布開業的第一家酒店。酒店位于于中東最大的帶頂露天廣場——阿爾巴拉哈廣場，共設123間客房、35間套房以及91間公寓住宅。酒店和住宅的總體規劃和立面處理與周圍歷史悠久的街巷、廣場、庭院的層次、規模和特征進行了精心整合。

文華東方酒店的設計方法蘊含著這樣一個核心理念：參考過去的關鍵信息，精心考量卡塔爾建筑的傳統形式和細節，豐富21世紀建筑群的建筑風格。這些重要的背景試金石經過精心解讀，從而定義一種全新的建筑語言：胸有成竹，滿懷信心，不忘過去，展望未來。

柱廊是卡塔爾建筑的傳統特色，形成了街道和建筑物之間的入口，營造建筑秩序的寧靜感，提高視角，提供行人尤為需要的陰涼空間。酒店柱廊還強調了建筑形式的決定性雕刻性質；底部經過手工打磨，形成條紋狀表面紋理。上部光滑，接合細節極其精致。

根據本能式建筑方法，建筑立面處理為實心形式，從中切割出孔洞和凹槽，展示材料的質量、深度和特征。立面由暖色石灰石構成，下層為實心轉角，上層為側壁和轉角斜接合。這些對比強調了立面的雕刻性和堅固性，輔以精心制作的細節裝飾。再加上石頭的齊平接縫，使得表面和細節均勻一致，令人想起卡塔爾建筑的傳統立面。

阿爾巴拉哈廣場的構想是一個“城市房間”，由兩個建筑風格強烈的城市標志支撐：西邊的文華東方酒店和東邊的文化中心（同樣由JMP設計）。酒店鄰近西灣、Souq Wasif、Al Corniche和事務所的獲獎建筑姆什萊布博物館。阿爾巴拉哈的建筑形式和空間品質體現了總體規劃的精神特質：在可持續發展背景下創造出色的建筑和城市空間，反映城市傳統與現代令人興奮的連貫和融合。

The Mandarin Oriental Hotel and Residences in Doha is the first hotel to open in Msheireb Downtown Doha. The hotel addresses Al Baraha Square - the largest covered open-air square in the Middle East and accommodates 123 guest rooms， 35 suites， and 91 apartment residences. The massing and elevational treatment of the hotel and residences is carefully integrated within the hierarchy， scale， and character of the historic streets， lanes， squares， and courtyards surrounding the site.

The design approach to the Mandarin Oriental Hotel is embedded in the core idea that the 21st-century architecture of the ensemble of buildings is enriched by key references from the past， and the traditional forms and details of Qatari buildings. These important contextual touchstones have been carefully interpreted to define a new architectural language that looks boldly to the future without abandoning the past.

The colonnades， a traditional feature of Qatari architecture， form thresholds between streets and buildings， offering a calm sense of architectural order， heightened visual perspective， and much-needed shade for pedestrians. The hotel colonnade also accentuates the decisively carved nature of building forms; the base sections have been hand-honed to produce a striated surface texture， and the upper sections are smooth with highly refined joint details.

In terms of the instinctive architectural approach， building fa?ades are treated as solid forms， into which apertures and recesses are cut to reveal the mass， depth， and character of the materials. The fa?ade is constructed of warmly colored limestone， with solid corners at the lower level， and mitered joints to the reveals and corners at upper levels. These contrasts emphasize the carved nature and solidity of the fa?ades， accented with highly crafted details. And this， along with the flush-filled jointing of the stone creates a uniformity of surface and detail that recalls the traditionally rendered fa?ades of Qatari architecture.

Al Baraha Square is conceived as an ‘urban room’， anchored by two architecturally strong civic markers： the Mandarin Oriental Hotel to the west， and the Cultural Forum （also designed by JMP） to the east. The hotel is close to West Bay， Souq Wasif， Al Corniche， and the practice’s award-winning Msheireb Museums. The architectural form and spatial quality of Al Baraha embody the ethos of the master plan： the creation of outstanding buildings and urban space in a sustainable development that reflects exciting and coherent fusions of urban tradition and modernity.