伯克利藝術博物館和太平洋電影資料館 美國加州

業主單位：伯克利藝術博物館和太平洋電影資料館

設計單位：DS+R 建筑事務所

合伙負責人：Charles Renfro

共同項目負責人：Zoe Small,Anthony Saby

項目建筑師：Michael Samoc

設計團隊：Charles Curran,Haruko Saito,William Ngo,Mark Gettys

執行建筑師：EHDD 建筑事務所

總承建商：種植建設公司

項目狀態：2016 年竣工

項目面積：83 000 平方呎

照片攝影：Iwan Baan,Elizabeth Daniels

Client:UC Berkeley Art Museum &Pacific Film Archive

Design Architect:Diller Scofidio+Renfro

Partner-in-Charge:Charles Renfro

Co-Project Leaders:Zoe Small,Anthony Saby

Project Architect:Michael Samoc

Team:Charles Curran,Haruko Saito,William Ngo,Mark Gettys

Executive Architect:EHDD Architecture

General Contractor:Plant Construction Company

Project Management:UC Berkely Construction &Design

Status:Completed 2016

Area:83 000 SF

Photography:Iwan Baan,Elizabeth Daniels

加州大學伯克利分校新聞大樓（建于1939年）的擴建和適應性再利用，為伯克利藝術博物館和太平洋電影檔案館這兩個合并的機構，打造了一個新的共同基地。該設計充分利用這座建筑既有的歷史特色——位于城市和大學交叉口的十字路口、流線型現代藝術設計、鋸齒形屋頂監視器和寬敞的內部空間。這座占地4,800平方米的歷史建筑曾計劃重修，以容納各類住宅畫廊、一座小劇場、藝術制作實驗室和其他設施。現在上面新增的3,500平方米的建筑面積，擁有一座電影院、一座圖書館、一個學習中心與一間咖啡館。這座被稱為“cipher”的附加建筑兼備結構美與雕塑美，創造了一個新的公共脊梁，將整個建筑有機聯系起來。作為橫向結構，其不銹鋼結構沿著一條長長的對角線展開，上升到一定高度（在這里，從修長的建筑正立面可一睹建筑內部），然后托起一家咖啡館懸在伯克利藝術博物館和太平洋電影檔案館的入口上方，兼做建筑華蓋之用。另一端，竄邊設計止于一塊公眾戶外顯示屏。翻修還包括擴大和改造原新聞大樓一層的門窗，使畫廊充分向公眾展示，吸引路邊和街頭活動滲透到建筑內部。

The expansion and adaptive re-use of the University of California at Berkeley Press Building (1939),creates a hybrid home for two merged institutions– the Berkeley Art Museum and the Pacific Film Archives.The design capitalizes on the innate characteristics of the existing historic building --its crossroads site at the intersection of the City and the University,streamlined Art Moderne design,saw tooth roof monitors,and voluminous interior spaces.Overlaying the 4,800 square meter historic building -which was repurposed to house galleries,a small theater,art-making lab,and other amenities– is a new 3,500 square meter addition which houses a film theater,library,study center,and café.Dubbed the “cipher”,the addition is both structural and sculptural,creating a new public spine that organizes the entire building.Functioning as lateral structure,its stainless steel form unfolds across a long diagonal,rising up to provide a glimpse inside the building on its long facade,and then draping across to shelter the entrance with a café,dramatically cantilevered over BAMPFA’s entrance,which doubles as the building’s marquee.At the other end,the telescoped volume terminates in an outdoor viewing screen for the public.The renovation also included enlarging and retrofitting existing fenestration of the original Press building at the ground level,which put the galleries on full public display,encouraging the lively sidewalk and street activity to permeate the interior.

“設計融合了新舊元素，在機構和公眾之間創造了一個滲透性界面，”倫弗洛接著說，“這座新結構的柔軟主體，懸垂在建于二十世紀30年代的正交設計建筑之間，掛在這些建筑的尖角上，形成一個引人注目的公共脊梁，該脊梁始于標志著建筑入口的懸臂式咖啡館，終于另一端的室內劇院。劇院主體的雕塑形式用直紋曲面和精密成型不銹鋼結構等當代語言重新詮釋了新聞大樓二十世紀30年代的裝飾藝術風格。”

“The design merges the old and new to create a permeable interface between the institution and the public,” Renfro continues.“The supple body of the new structure,draped between the original 1930s orthogonal buildings and snagged on their sharp corners,creates a dramatic public spine that begins as a cantilevered cafe marking the building’s entrance,and culminates in an indoor theater on the other end of the site.The sculptural form of the theater volume reinterprets the 1930s Art Deco–style of the press building in a contemporary language of ruled surfaces and precision-formed stainless steel.”

總平面圖 site plan

軸索圖 SE axon

首層平面圖 ground level plan

二層平面圖 second level plan

地下層平面圖 lower level plan

東立面圖 east elevation

畫廊剖面圖 section galleries

咖啡廳剖面圖 section cafe