普拉達基金會藝術中心 意大利米蘭

項目狀況：2015 年竣工

業主單位：普拉達基金會

主管合伙人：雷姆·庫哈斯,克里斯·范杜恩

項目主管：Federico Pompignoli

當地建筑師：Massimo Alvisi

執行建筑師：Alvisi Kirimoto &Partners,Atelier Verticale

結構工程：Favero &Milan,SCE Project

電氣工程：Favero &Milan,Prisma 工程公司

面積：總公共面積12 300 平方米，總私密面積6 600 平

方米，總建筑面積18 900 平方米

攝影：Iwan Baan,Bas Princen,Charlie Koolhaas,Ela Bialkowska,Federico Pomignoli,OMA

Status:Completion 2015

Client:Fondazione Prada

OMA Partners in Charge:Rem Koolhaas,Chris van Duijn

Project leader:Federico Pompignoli

Local Architect:Massimo Alvisi

Executive Architects:Alvisi Kirimoto &Partners,Atelier Verticale

Structural Engineer:Favero &Milan,SCE Project

MEP Engineer:Favero &Milan,Prisma Engineering

Areas:Total public area 12 300 m2;total private area 6 600 m2;total built area:18 900 m2

Photography:Iwan Baan,Bas Princen,Charlie Koolhaas,Ela Bialkowska,Federico Pomignoli,OMA

普拉達基金會藝術中心新的總部位于米蘭南部的Largo Isarco工業建筑園，前身是一座建于1910年的杜松子酒廠。改造后的建筑將擁有多樣化的展覽空間模式。除七棟包括倉庫、實驗室、釀造筒倉在內的保留建筑外，方案圍繞中庭增加了三座新建筑。

這樣的復合體建筑旨在為空間類型學項目表演擴展空間，充分展現該藝術類型的獨特魅力。此次設計項目涉及七個已有建筑和三個新建筑?！爸v臺”，一個進行短期展示區域?！半娪霸骸?，一個多媒體禮堂。以及一個“塔樓”，一個高達九層，用來展示建校以來具有紀念意義的事物和舉辦的活動圖像資料的永久性建筑。

除此以外，在Largo Isarco建筑區域范圍內，還有兩個獨立建筑，即一個公寓和一個廣場，其中廣場呈現了更為垂直的造型。通過嚴格檢查，廣場建筑物并沒有提供有吸引力的可能性，并被最終拆除，同時這也促使庭院成為確保露天場所充分發揮作用不可或缺的組成部分。普拉達基金會藝術中心大樓多功能表演場地Deposito位于建筑物西邊，適用于策展和創意開發。地下部分同時容納了展品的儲藏和部分展示兩個功能，參觀者將可以看到部分作品，如 a fleet of artists’ cars，拆封和前期準備工作的進行過程。

位于大會堂東側的獨立結構式建筑名為Cisterna。建筑內部的三個小空間通過“誦經臺”與外側的陽臺相連，曾經為工業服務的結構如今帶上了一些宗教性的意味。

Located in a former gin distillery dating from 1910 in the Largo Isarco industrial complex on the southern edge of Milan,the new home of Fondazione Prada is a coexistence of new and regenerated buildings including warehouses,laboratories and brewing silos,as well as new buildings surrounding a large courtyard.

The complex aims to expand the repertoire of spatial typologies in which art can be exhibited.The project consists of seven existing buildings,and three new structures:Podium,a space for temporary exhibitions;Cinema,a multimedia auditorium;and Torre,a nine-story permanent exhibition space for displaying the foundation's collection and activities.

Within the perimeter of the Largo Isarco complex existed two freestanding structures:one flat and square and the second more vertical.On close inspection,the square building did not offer attractive possibilities and was demolished,enabling the courtyard to become a significant element for open-air use.The Deposito,an existing building on the west edge of the complex,is adapted for curatorial ingenuity:in its basement,the Fondazione's collection is arranged in a hybrid of strict storage and partial display,creating 'chambers' where work such as a fleet of artists’ cars can be unpacked or half opened to the public.

The freestanding object to the east of the Great Hall,dubbed the Cisterna,is divided in three rooms with three interior ‘pulpits’ connected to an exterior balcony.Its configuration suggests a precise industrial need that now reads as a quasi-religious environment.

The Cinema acts as an autonomous cell within the compound.With large bi-fold doors,it can be instantly connected to the courtyard.Inside,the raked seating can be converted into a flat floor,allowing the space to be used for staging outdoor events or as additional,covered gallery space.

鳥瞰 Bird's eye

首層平面圖 Ground floor plan

地下層平面圖 Underground floor plan

電影院的功能則更為靈活多變。建筑一側外墻以雙折疊門構成，封閉的空間可變成向中庭敞開的半開放空間。內部的階梯式座位亦可通過折疊還原為平坦的地面，作為戶外活動的舞臺空間或附加的室內展覽空間。

中庭南部的四座小房子以及廢棄的庭院如今用作基金會藝術中心的辦公室和長期展覽廳，它們之間聳立著金箔外墻的“鬼屋”，其內部狹小的空間讓特定的作品可以在更親密的空間氛圍中展出。

毗鄰的“講臺”位于場地內兩條視覺通道的相交點，成為了整個建筑群的視覺中心。這座新建筑由兩個完全不同的空間組成：一個是位于一樓純玻璃制造，無中柱設計的“講臺”。然而與“講臺”外表上看去截然不同，二層卻是斑駁的泡沫鋁外墻的展廳，與一樓展廳呈現出極大的對比。兩者皆為多功能的臨展大空間。

坐落于建筑群的西北角，塔樓也有其獨特的配置，還包括一間餐館、一個接待處以及相應的住客配套設施。其他樓層，隨著高度的不斷上升，將根據具體情況配備相應且獨特的功能，并提供建筑群與城市的額外視野。

Four 'houses' that face the courtyard to the north and an abandoned garden to the south accommodate Fondazione offices and permanent galleries.Within their confines sits the ‘Haunted House’,an existing building with its exterior covered entirely in gold leaf.Inside,the intimate scale of its interiors generates a ‘domestic’setting for specific works.

Adjacent,the Podium forms the center of the compound,sitting at the intersection of the two perpendicular axes through the site.This addition combines two volumes of very different qualities:a fully glazed,column-free podium on the ground floor.Resting on top is another gallery space clad in aluminum foam,with a bubbled pattern.Both galleries provide large,multi-purpose areas for temporary exhibitions and events.

Situated on the north-west corner of the compound,the Tower houses site specific installations,as well as a restaurant,a reception space and guest facilities.The other floors,with gradually increasing heights,will accommodate site specific installations and provide alternating views of the compound and the city.