雙子塔

地點：奧地利維亞納

時間：1996年-2001年

業主：Immofinanz Immobilien Anlagen AG;Wienerberger Baustoffindustrie AG

建筑師：馬希米亞諾·?？怂_斯

總面積：139,500平方米

A塔：37層/高138米

B塔：34層/高127米

SITE: Vienna, Austria

PERIOD: 1996-2001

CLIENT: Immofinanz Immobilien Anlagen AG;Wienerberger Baustoffindustrie AG

ARCHITECT: Massimiliano Fuksas

TOTAL AREA: 139,500 sq.m.

TOWER A: n. floors/height: 37/138 m

TOWER B: n. floors/height: 34/127 m

?？怂_斯的研究基于為項目找到一個解決方案，傾向于令奧地利首都的地平線更加豐富。首先促成其深刻性，但也意識到一個區域除了完成現有的建筑物，可以自己設定用來識別未來用戶的元素。坐落在城市和綠地之間的過渡區域，項目團聚和頌揚主題能從以前的作品中體現出來:城市景觀的發展；城市密度和綠地之間的連接與過度；藝術和建筑之間的研究融合和污染；“地景藝術”的干預，特別是南方；城市規模的關乎“倫理”尺度的項目，能夠“重讀”基礎設施系統，與新領域的“可訪問性”和“透明性”相協調。

兩座塔樓分別為37層和34層，能容納2,500間一流的辦公室，每層占地面積達1,400平方米。這兩個建筑是來歡迎那些從南部抵達維也納的游客。兩個閃光的巨人，分別是138米和127米高。它們是“光”，因為它們擁有兩個巨大的透明玻璃墻壁，具有無法明確區分的輪廓。它們互相之間不平行也不垂直，但間接由一系列不規則的橋梁在不同的高度連接起來。?？怂_斯的意圖是給建筑增加活力：“對于那些乘汽車從南部經過這片領域的人，雙子塔總是會呈現出一個與眾不同的形象。他們永遠處于變化之中”。

Fuksas’ research has been based on the desire to pinpoint a solution apt to enrich the skyline of the Austrian capital. In the first place contributing to its profoundness, but also realizing an area that,apart from completing the existing structure, could set itself as an element of identi f cation for future users. Situated in an area of transition between the city and green areas, the project reunites and exalts thematic already found in previous works: the development of urban landscape; the connectiontransition between urban density and green spaces; the researched confluence and contamination between art and architecture; the "Land Art" interventions, in particular in the South square; the "ethic"dimension of the project on urban scale that could "re-read" the infrastructural system in keys of"accessibility" and "transparency" of the new area.

The towers, that have respectively 37 and 34 floors, house 2500 first class of fices and each floor is spread over an area of 1400 sq.m. The two buildings welcome those who arrive in V ienna from the South. Two light giants, 138 and 127 meter high. They are “light” because they are put into two huge transparent glass walls, with outlines that cannot be distinguished. They aren’t parallel nor perpendicular, but put obliquely to one another, connected by a series of bridges irregularly positioned at various heights. Fuksas' intention was to give dynamism to the construction: "... for those arriving from the South and running along this area by car, the towers always occur with a different look. They’re never still or incumbent".