The female images in the tang dynasty painting

【Pick to】the tang dynasty is the most prosperous dynasties in ancient China. Both in the cultural， economic， political and artistic performance is very outstanding. Historical development of the era makes unprecedented open people's minds， such open also naturally seep into the woman's behavior， they have a certain personal freedom and individuality liberation， the status of women is rising. This painting in the tang dynasty has very good reflected in the female image. At times like these， had appeared Zhang Xuan， zhou-fang painter， their painting art has exerts a far-reaching influence on the later tang dynasty figure painting.

【Key words】the tang dynasty； Female image

The tang dynasty is the peak of Chinese history and the development of Chinese painting and the development of social economy and culture closely linked. The Chinese painting in the new era. Painting subjects greatly open during this period， painting technique of expression have innovation， figure painting began to secular life as the content， expression of people's life in the tang dynasty more subjects， especially on women's paintings have further development， their characteristics and bright， different aesthetic standards.

The tang dynasty enlightened foreign policy， multi-ethnic cultural fusion， foreign culture has great influence on the tang dynasty， people's thought liberation further. Painters to absorb more culture essence， thus had a great harvest in art painting， both in the representation techniques and in increasingly rich subject matter. The Buddhism was introduced into is also the important reason for the development of Chinese figure painting. As early as the han dynasty when Buddhism was introduced into China， to the tang dynasty at the peak. Tang dynasty painting level exceeded the previous various dynasties， and affects many countries at that time， become a peak age of Chinese painting history.

Of traditional Chinese painting in the tang dynasty， that is， \"yee figure painting\"， mainly in the tang dynasty ladies and women in social life as a kind of figure painting depicting objects. Artists with a positive life belief of China's accession to wto on the colorful social reality， is particularly keen to show aristocratic women of leisure lifestyle， drab and carefree life emotional appeal. That period had \"is the feature of picture neat delicate lines， color beautiful and easy， performance use the technique of painting depicting female image. Women can be seen in the had the presence of natural plump， dignified and easy， in depicting characters painter carefully observe objects psychological change， can grasp the psychological characteristics of the characters， good vividly. From not only can see the characters in the works of the shape features with perceptual beauty at the same time， also can interpret the psychological characteristics of ladies to understand the background. The tang dynasty is a feudal society the most glorious era， however， is also thriving stage.

Zhang Xuan （A.D. 713-7. 5 5 years）， JingZhao， kaiyuan when a former historiographers straight. Good at traditional Chinese painting. He painted the aristocratic women \"feng buccal fat body\". Look from the image curved eyebrow feng buccal， posture modesty， dress luxuriant， tire overelaborate. On the technique of form， Zhang Xuan didn't use exaggerated brush strokes and simple colors， and use claboratestyle， create rich thick secular life atmosphere. Compared with gu kaizhi's \"picture of pro figure\"， he stood on the landlord class position， more in the service of the landlord class fill the spiritual emptiness， depicting the real life， has a certain progress. His comely lady YouChun figure \"is the period of tang had representative works.

Zhou-fang， the painter in the late tang dynasty. ZhongLang word JingXuan and word. JingZhao （now xi 'an shaanxi province） people. He is after Zhang Xuan painter， is known for it's performance aristocratic women have \"ladies， ancient and modern the highest\" of reputation.

The ZanHua had \"（see figure 3-3） is the representative works on zhou-fang， describes the five palace ladies and a maid. Recorded in the summer season， quiet and empty courtyard those ladies in order to pass the boring life at the court of crane， butterfly fun scene， reflect the ladies comfortable leisurely and comfortable life. The characters seem to be demure， elegant nobility. Erected a stone exquisite， blooming pink purple magnolia flower flower， against the background of green leaves make the atmosphere of the picture looks more harmonious with a silver spoon in her mouth.

Tang dynasty is the golden age in the development of figure painting， traditional Chinese painting in the tang dynasty is the peak figure painting. The aesthetic tendency of the society reflect the change of the traditional Chinese image in the painting. Painting the simple to the complex and the phenomenon of the tang dynasty national strength is strong， the prosperity of economy， the development of the foreign and a strong relationship between culture and civilization of the fusion， from the side of the female images in the tang dynasty painting also reflects the different periods of painting and implicit function， moral social problems.

References

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[3]RuanLi. Aesthetic modelling movement of the women in the tang dynasty[J]. Journal of nanjing college of art， （art and design edition）2011，2.Pp.92～91.

[4]in styles， scroll painting in the tang dynasty palace female image research [D].yangzhou university，2007K879.4J206.Pp.11～17.